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What are the greatest single take tracking shots in movie history? Orson Welles' opening sequence for Touch Of Evil and Robert Altman's The Player intro would be on most lists. Then there's Alexander Sokurov's Russian Ark, remarkable for featuring just one single Steadicam shot for its 90-minute entirety. Add to that list the work of Desperate Optimists - film and real-life partners Christine Molloy and Joe Lawlor. After winning the best short film at the Edinburgh Film Festival in 2004 with Who Killed Brown Owl?, they've gone on to shoot six more shorts under the collective banner Civic Life.
Pooling resources for Who Killed Brown Owl? (2004)
Unlike the cameras mounted on the numerous crane and dolly shots, Civic Life almost failed to get off the ground. "We thought we'd blown Brown Owl," Joe reveals, "thought we'd made a real mess of it. We thought, 'OK, we'll never do that again, and we'll never go back to Enfield either! [The Borough Council commissioned the short to celebrate the reopening of the New River.] But we saw the footage and it was good, so we got a lot of confidence from that. We realised that a lot could be achieved in one day with the right degree of preparation and choreography. And it organically grew from one hunch into what is dangerously becoming a tried and tested formula now." Adrian Hennigan | Published 29 June 06 |
| discussion title | comments | last comment |
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| Greatest single take tracking shots? | 3 | Jul 22, 2006 |
- desperate optimists
official site - short film summer school
official site - civic life dvd
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