Ken Loach’s new film is a frothy teen comedy. Only kidding.

Cries of “kitchen sink drama!” can be heard at the mere mention of Ken Loach’s name, and Sweet Sixteen is no exception when it comes to the typically Loachian themes of working-class struggles and dysfunctional families in the face of adversity.

Following the teenage Liam, who resorts to drug dealing to support his family, Sweet Sixteen is not uplifting stuff, but there’s something fresh and authentic there that makes it compelling viewing. Bright and in touch with his emotions, Liam is a captivating character forced to grow up in less palatable conditions, a predicament to which there’s no simple answer.

But it’s not all doom and gloom. Loach treats his subjects with tenderness and humour and, in return, his cast (made up mostly of unprofessionals) give touching and naturalistic performances, especially Martin Compston’s stunning turn as Liam. Scowling in the face of happy Hollywood endings – and all the more refreshing for it - Sweet Sixteen is a vital and outstanding film. LB 03 October 02

Sweet Sixteen, on limited release 04 October 02.