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reviews /  member gig review
member content by: member
Babyshambles - Sheffield Foundry
by: Michael L  26 september 05
What became of the Likely Lad?
Babyshambles come with so much baggage that it's sometimes easy to forget what made Pete Doherty so special in the first place. Whatever anyone thinks of the ramshackle punk and poetry of their songs, the adulation and love directed at the stage as Doherty wanders wide eyed and wasted into the spotlight is real. It’s something that the slickly oiled machines of the Franz Ferdinand’s and the Razorlight’s can't touch. I've seen Babyshambles when this has been uncomfortable, when the screams of 'Pete! Pete!' have rung out with more desperation than wonder. Where the spectacle onstage has resembled the car crash that the ambulance chasers and tabloid vultures have their wet dreams over. The signs going into tonight's rearranged show in Sheffield aren't particularly great, coming, as it does, two days after Pete was arrested for drinking in the street, and right in the middle of the latest chapter in the tabloid blizzard that is the Kate and Pete saga.



But despite it all, tonight, Babyshambles are fantastic. There is a cheeky sparkle in Pete's eyes that becomes him far more than the glazed-over look you’ll see on page 4 of the Daily Star. Of course, sobriety hardly becomes him either, and the Babyshambles circus remains as gloriously unpredictable as ever. Three songs in, the show is abandoned, then restarted because of a fire alarm, and later, during ‘Wolfman’, Pete is bundled off stage for encouraging a chaotic stage invasion (Featuring the hilarious sight of kids being chased Benny Hill style across the stage by heavy-set and heavy-handed bouncers).



As for the music, the rackety, stumbling punk of songs like 'Do You Know Me' and 'Black Boy Lane' are not quite great, but remain effortlessly shambolic and thrilling. It's the other moments though that set Dohertys talent apart. He sways through Kilamangiro's 'I believe in love' refrain with an almost impossible fragility, and 'Albion' is shot through with all the misty eyed, battered romanticism of the Libertines finest songs. Pete singing of, 'gin in tea cups, leaves on the lawn and violence in bus stops', while the crowd mouth every word. With the house lights on, the band refuse to leave the stage, playing on until the gig ends with the mic's turned off and Pete leading the crowd in a mass sing-a-long of Libertines and Babyshambles classic 'What Katie Did'.



After the Libertines imploded, Pete got shot into the ugly glare of the tabloids before he was ready, before the music deserved the massive attention that his character and his rock n roll lifestyle assured him. If he can get it together enough to make that great album, (and from the Specials-esque 'Sticks and Stones', to the Beatlesish new songs, there was more than enough here to suggest that he still has it in him), then we really can celebrate a one-off star. Whatever happens, we will always need someone like him. Someone that freaks out and upsets the conservative values of the Daily Mail and the Daily Star, someone that can reach out to an audience and eloquently and defiantly not give a f*ck. Babyshambles finished? Nah, with a bit of luck, they could just be getting started.

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