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reviews /  editor film review
editor content by: editor
distant voices, still lives
distant voices, still lives
A masterpiece restored.

A landmark of modern British cinema, Terence Davies' two-for-one (shot two years apart) impressionistic memorial to his own working-class, post-war upbringing is an astounding balancing act: both elegy to his mother's endurance and exorcism of his father's brutal regime of domestic violence; a fusion of English social realism and European arthouse; and a paean to the ecstasies of Hollywood's Golden Age musicals, whose every frame ruthlessly exposes yet still fiercely celebrates the Dream Factory's happily-ever-afters.

Davies' gliding tracking shots and sepia-toned tableaux of misery are spare, but this is no still life. Charged with an urgent spiritual longing, it's true cinematic poetry from a major artist. His continuing rejection by the current UK film industry is a damning indictment of its priorities.


Leigh Singer 19 April 07 rating of 5
Distant Voices, Still Lives (1988), on selected release 20 April 07.
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