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![]() brick interview
A solid debut for director Rian Johnson. Could 27-year-old Rian Johnson have tried to make a more ambitious first film? Brick is a film noir set in an American High School in which the characters speak in the long forgotten tongue of 30s novelist Dashiell Hammett. Independent film favourite, Joseph Gordon-Levitt (Mysterious Skin, Third Rock From The Sun) plays Brendan Frye. At first he seems like just another geeky high school kid sporting trademark spectacles and sweeping, unkempt hair. Soon he turns out to be our Humphrey Bogart, investigating the mysterious disappearance of a broad (Emilie De Ravin) he once stepped out with. Now she’s in trouble and to uncover the mystery Frye must seek out The Brain (Matt O’Leary) and get the low-down on the latest slang and social circles. His investigation leads him to local drug dealer and mummy’s boy The Pin (Lukas Haas) and Laura (Nora Zehetner) - film noir’s most memorable icon, the femme fatale. ![]() The biography of the director is as remarkable as the film he’s made. Johnson remembers first picking up a camera, aged 12, “When you had to plug a cable into the VCR and carry the VCR around with you.” At high school (which would become the primary location for Brick), Johnson was allowed to hand in films instead of written essays as homework. He ended up going to the University Of Southern California where he studied film, and wrote Brick the year after he left film school. ![]() That was eight years ago. In that time he begged and pleaded for the $450,000 required to shoot the movie. Johnson says, “In the end I was lucky that my parents came into some money at the same time, as other funds came together. When Joe [Gordon-Levitt] came on board it was a great help, and everything else seemed to fall into place. For a month Joe would come around for dinner and we would go over the lines with the actors.” Gordon-Levitt says Johnson is “a great cook”. So it was no hardship rehearsing for such a long time. And all the hard work - in between stuffing their faces – is there for all to see in this ambitious and occasionally spectacular debut.
Kaleem Aftab
Brick, on selected release.
Read members' comments related to this film.
comment by Dilano
Jun 19, 2006
Brick works well as a high-school take on hard-boiled detective fiction of the 30s and 40s (Hammett, Chandler etc). The plot is convoluted in the extreme - just like The Big Sleep - and contains numerous references to classic film-noirs. What struck me most about Brick were the locations - empty car parks, deserted streets. Most of the great noirs were B movies and Brick's low budget works well in the context of the film, which explores alienation and the search for meaning. The desolate sets seem to mirror the desolation found in the characters inner lives. Even the hero seems to act due to a twisted code of honour rather than a moral impulse to do right.Definitely worth a watch.
comment by shrinkydinky
May 26, 2006
i guess a lot of the black humour comes from the incongruity of kids running around being detectives, femme fatales and the like, like when the pin's mum is dishing out milk and cookies to his henchmen. something of a harder spin than films like cruel intentions which take 'adult' stories or genres and send them back to school.a bit like muppet babies in that respect.
comment by rowan
May 19, 2006
I think I'd have liked more play on the self-consciousness of it possibly. I kept wondering why it was set in a high school.
comment by shrinkydinky
May 19, 2006
Although this had plenty of obvious influences (Chandler, David Lynch, Daniel Handler's 'The Basic Eight'), it wore them with pride and twisted its characters and plot into a wonderfully savage tale. The machine-gun dialogue took some following but I'm really looking forward to what Johnson does next.
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