By Justin Monjo
Directed by Peter Andrikidis
What makes Farscape nicely different from other genre series is that it will set
up a situation where only the greatest bravery can save the day, where everyone
has to make tough decisions - and then where the daring plan completely fails.
It's also good at dishing out the heroics evenly instead of giving Crichton all the right answers and all the
best moves. As ever, Aeryn was at least as necessary as Crichton in the shuttle
and this time Crichton was unheroically awful at flying it. To appreciate
the difference, just imagine Buck Rogers in the same situation.
The whole episode was structured to set up one apparent victory and instead, after a stumble, lead us to another. It works for Aeryn and Crichton, but arguably it doesn't for Rygel and Kcrackic. The twist there, that Rygel appears to give Staanz away but
doesn't, depends on Rygel having made the real plan instantly. It's possible,
it's what he claims, but somehow Rygel never seems to do anything instantly
so this end of the story feels more forced.
To an extent, so did Staanz's turning out to be a female when in most respects this ex-pirate had appeared to be male. It is a surprise, in a Crying Game kind of way, but it feels artificial because there's neither a reason Staanz need be female to love D'Argo nor
enough of one that a male or female Staanz could have fallen for him so quickly.
FARSCAPE in the UK on BBC2. FARSCAPE © The Jim Henson Company 2001. © Hallmark Entertainment. FARSCAPE and all related characters and elements are trademarks of The Jim Henson Company. All Rights Reserved.