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A bid to rescue The Leach Pottery
Caption
Fears that the historic Leach Pottery in St Ives could be lost unless 1 million pounds can be found, has prompted a number or organisations to back a rescue plan.
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The Leach Pottery
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FACTS

+ The Leach Pottery was set up by Bernard Leach and Shoji Hamada in St Ives in the 1920's.

+ Bernard married Janet Darnell
when she came to the pottery in 1956.

+ Bernard's sons - David and Michael Leach worked with their father until 1955 when they both left to set up their own potteries in Devon.

+ After Bernard's death, Janet ran the pottery, assisted by Joanna Wason, until she herself died in 1999.

+ The Pottery currently employs two potters, Joanna Wason and Amanda Brier (who studied at Falmouth College of Art) and is currently owned by ALan Gillam.

+
A steering group has now been set up to find 1 million pounds to save the historic Leach Pottery.

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A steering group has been set up to find 1 million pounds to save the historic Leach Pottery at St Ives. Many of the original features built by the artist, Bernard Leach, in the 1920s, are crumbling.

Now a number of organisations, including the V&A in London and the National Trust are backing a rescue plan. St Ives is already popular with art lovers because of the Tate and the Barbara Hepworth museum.


Bernard Leach
Bernard Leach
The Leach pottery was set up by Bernard Leach - one of Britain's most influential artists and his colleague from Japan, Shoji Hamada when they came to came to England in 1920 and built a climbing kiln..

Bernard's sons - David and Michael Leach worked with their father until 1955 when they both left to set up their own potteries in Devon.
In 1956 Janet Leach came to St Ives and married Bernard, continuing to work in the pottery up until her death in 1997.

Alan Gillam - a retired businessman from St Ives and his wife, Sally, bought the site over 4 years ago at a time when both the pottery and the adjoining cottage were faced with an uncertain future and he explains they have taken the venture as far as they can.

"We have now reached a stage when we can't do any more for the site ourselves although the potential of the place is enormous."

"The site has been in production now making pots for over 80 years and it really should be one of St Ives main attractions and it's importance to the Studio Pottery movement and pottery education in this area can't be over-estimated."

"We're not potters. We feel it needs somebody with specialist input to take it to the next phase".

We have now reached a stage when we can't do any more for the site ourselves although the potential of the place is enormous.
Owner of the Leach Pottery, Alan Gillam
Joanna Wason (who has worked at the Leach Pottery since the late 80's alongside Trevor Corser and assisted Janet Leach until her death in 1999) agrees;

"I think the working atmosphere would benefit greatly from having a kind-natured, top class potter, generous enough to discuss ideas and experiment in a cheerful hard working and creative atmosphere."

Joanna feels that the site would benefit greatly from investment. "The pottery is phsyically falling to bits, equipment needs replacing and the place could do with a right old clean up."

She has since been joined by Amanda Brier who joined 3 years ago and the two of them are currently the only employed potters working on site.

The chairman Lady Carol Holland says they have ambitious plans which
could improve St Ives as a cultural destination.

"At the moment this is a combination of a working site and a tourist attraction with a shop and a museum and we hope to retain both parts of these in the future.

The Gallery shop
The gallery shop at the Leach www.leachpottery.com
We want to create a permanent collection of really important work of pots here and we also hope to build up more than there has been in the past the educational side of it."

Lady Holland sees positive links with St Ives' other artistic centres, especially the Tate gallery and the Barbara Hepworth museum.

"Bernard Leach had an importance as artist as well as as a craftsman, he was a designer almost more than a potter actually. His design input became very important subsequently, but one of the things which we hope is that in the future this will be part of a reactivated and very vibrant artistic community which has crafts as well as the arts represented."

It's estimated that 1 million pounds could be needed to buy and renovate the site and improve public access and facilities, bids are being prepared for Heritage and Lottery sources.


audio A package by BBC Cornwall reporter - Matt Pengelly
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