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25 November 2009
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Specialist Factual: Science & Natural History

Our development priorities are updated for every commissioning round (last updated July 2009). We also include information on the commissioning team and process.

Specialist Factual now commissions all video content on all platforms including bbc.co.uk, mobiles and interactive 'red button' services as well as for television.

Contact Details for Independents

e-Commissioning

Member of the public with ideas can get information here

Writers Room Link

Durations - don't make your programme too long for your slot - check programme and credit durations here

Interactive TV ideas are submitted to the normal genre teams

Background

Science at the BBC ranges from the broad and instantly accessible - like Grow Your Own Drugs on BBC TWO - to more thoughtful and challenging pieces like Jim Al-Khalili's Atom on BBC FOUR.

Natural History also ranges in tone, from the warm and familiar tone of long-standing success of SpringWatch and AutumnWatch, through big high-impact pieces like Life in Cold Blood through to high-concept innovative pieces like Swarm: Nature's Incredible Invasions.

While a range of tones is welcome in both genres, above all else, the BBC is looking for quality and originality. We need to keep refreshing our Science and Natural History offer to serve audiences unparalleled content that builds ideas and knowledge, innovates and is engaging and exciting to watch.

Development Priorities July 2009 - October 2009

Full details of our specific Development Priorities are available here.

BBC One
  • High Concept TV
  • Pre-watershed Ideas
  • 2235 Singles or Short Series
  • Big Series

Full Details of Our Requirements
Channel Context

BBC Two
  • Consumer Science
  • Medical Singles
  • Big Science or Natural History

Full Details of Our Requirements
Channel Context

BBC Four
  • Big Science
  • Science or Natural History Singles

Full Details of Our Requirements
Channel Context

Multiplatform

  • Scientific Conversations
  • 360 Landmarks with BBC ONE and TWO
  • Surprising Approaches with BBC THREE

Full Details of Our Requirements
Channel Context
Knowledge Multiplatform Strategy

What's been working well?


The Incredible Human Journey The Incredible Human Journey
Dr Alice Roberts' engaging journey took audiences through the development of an idea in an immersive and entertaining way.


Swarm: Nature's Incredible Invasions Swarm: Nature's Incredible Invasions
Revealing the awe-inspiring nature of animal swarms through the innovative use of camcorders, mobile phones and cutting edge 'flying cameras'.


Yellowstone Yellowstone
Stunning camera work and a fascinating iconic location made this series a draw for a broad audience.


Richard Hammond's Engineering Connections Richard Hammond's Engineering Connections
A broad audience came to this series; Richard Hammond's easy and engaging style along with the compelling narrative structure made engineering accessible.


Grow Your Own Drugs Grow Your Own Drugs
Offering an alternative look at both gardening and science with a truly propositional offering, this series also introduced a passionate and likeable new face to BBC TWO.

The Audience

Science and Natural History has a core heartland audience but new programmes should aim to engage the broadest range of viewers possible. We need to innovate to find new ways in to subjects, to refresh ideas with new approaches and to think hard about what it is that is important or relevant to our audiences.

Importantly, for Science, programmes should think to remove barriers for women to watch, and Natural History should think of ways to excite younger viewers without alienating traditional Natural History lovers.

Strands

Programme ideas can also be submitted to the editors of Science and Natural History strands: Natural World and Horizon.

Tariffs

Please read the full details regarding factual genre tariffs for independents.

Your Feedback

Your feedback about these development priorities is welcome here

Commissioning Team and Timeline

Commissioning Team

Commissioning Editor, Science & Natural History
Kim Shillinglaw Kim Shillinglaw
Commissioning Executive Producer
Cassian Harrison Cassian Harrison
Knowledge Commissioning Executive Producers (Nations)
Sam Anthony Nick Shearman James Hayes
Sam Anthony (Scotland) Nick Shearman (Wales) James Hayes (Northern Ireland)

Multiplatform

Multiplatform Executive
Lisa Sargood Lisa Sargood
Science & Natural History

Business and Finance team

Head of Operations & Business Affairs Knowledge
Anne Sullivan Anne Sullivan
Commissioning Process
  • As from April 2007, all proposals must now be submitted via our e-Commissioning system.
  • This enables both in-house and independent producers to track their submissions online.
  • Proposals will no longer be accepted via email.

Timeline

Timeline of Factual Commissioning Process

• All proposals are registered on a confidential database and independent suppliers receive an acknowledgement of their proposal within two weeks of receipt.

• The relevant Commissioning Editor will either reject or progress proposals within six weeks of receipt (four weeks from acknowledgement.)

• Proposals may be provided with funded development, in which case the timetable to commission will be subject to negotiation between the external supplier and the BBC and determined by the development contract.

• The final decision will be no later than 20 weeks of receipt of the proposal. A successful proposal will be given approval by the relevant Commissioning Editor.

• Projects may be held over in exceptional circumstances but only with the formal agreement of the supplier.

Queries

• At any point during this maximum 20 week period, an external supplier may write to the Commissioning Editor asking for a progress report and be guaranteed a response within 10 working days of receipt.

Page last updated 5 August 2009





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