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16 December 2009
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Entertainment on BBC One

e-Commissioning

Member of the public with ideas can get information here

Writers Room Link

Durations - don't make your programme too long for your slot - check programme and credit durations here

Interactive TV ideas are submitted to the normal genre teams

BBC ONE

Entertainment is hugely important for BBC ONE. It provides everything from family viewing on Saturday nights to high quality factual entertainment, and from midweek panel shows to high energy entertainment at 2235.

Budget Information

  • Up to £250k per hour for shows that play in the heart of the Saturday night schedule
  • Up to £175K per hour for Saturday early evening ideas.
  • Up to £150k per hour for factual entertainment formats.

In 2010/11 there are opportunities within the in-house guarantee, the WoCC and the independent quota.

BBC One - Saturday Evening

Shape

Main Saturday night shows up to an hour long. 30 to 40 minutes pieces to play early evening. Most development at this stage of the year will be aimed at slots in 2010/11.

Requirement

We're looking for series ideas that can complement our proven hits such as Strictly Come Dancing and Total Wipeout but also make their mark in a distinctive and different way. They'll need scale to break through in the competitive Saturday night schedule and may also have a life beyond television. They should have a sense of spectacle to bring viewers back week after week, and feel like a real 'must watch' event every Saturday night. We'd like to find alternatives to the main show/results show format and find new flavours for Saturday nights where energy and humour will be key - particularly because this tone appeals to younger audiences.

We're delighted with the new feel that shows such as Total Wipeout, Hole In The Wall and Walk on the Wild Side have brought to Saturday teatime. We're not looking for more out and out physical gameshows for this slot but are keen to find shows that share their sense of fun, perhaps with a gameplay element or opportunities for direct participation during and after the show, either via red button, mobile or online. The shows that work best here have a distinct identity and a clear, strong idea at their heart. They should deliver memorable laugh out loud moments for a broad family audience.

At the moment new Lottery formats are not a priority.

BBC One - Factual Entertainment Midweek

Shape

30 or 60 minute pre watershed factual entertainment shows. Most opportunities in this slot are in 2010/11 and beyond.

Requirement

Our factual entertainment slate on BBC ONE sets the bar high. The Apprentice and Masterchef both get people talking and create a splash on TV and beyond and we want to find new formats that can sit alongside these established brands.

They'll need a strong narrative to bring audiences back week after week, and should be based in universal, familiar topics that can be formatted in a way to appeal to a broad audience. They'll also need ambition and scale, and a sense that they are something only the BBC would or could do. Competitive formats will need significant points of difference from existing shows.

PDF to downloadDownload the full list of BBC ONE requirements [PDF, 25 Kb]

Entertainment on BBC Two

BBC TWO

The Entertainment portfolio on BBC TWO is working really well. The output ranges from panel shows to factual entertainment formats. Many of our shows are talent led, and passionate expert talent can be key to bringing an audience to new shows.

Budget Information

  • Up to £160k per hour for factual entertainment. We can accommodate more technically ambitious shows beyond this level for a limited number of commissions per year.

In 2010/11 & 2011/12 there are opportunities within the in-house guarantee, the WoCC and the independent quota.

BBC Two - Factual Entertainment

Shape

60 minute shows or 30' strips with opportunities both pre and post watershed in 2010/11 and beyond.

Requirement

We've branched out from business into relationships, retail and restaurants and are keen to find new territories to make our own. These areas, when combined with a strong, modern entertainment format (with a reality slant) will engage the key 25-44 year old audience.

Don't rule out apparently specialist areas if you think they could be given an entertainment spin - an area that has worked well for the channel is heritage and trade secrets in Victorian Farm. We're also interested in exploring life-changing experiences and the different ways in which people find fulfilment in the modern world. In particular, we're interested in shows which incorporate modern format twists and humour. With the move of Masterchef to BBC One, we're keen to find strippable formats that can dominate the schedule for a number of weeks and make a real impact. Ideally, they should be returnable.

It's really important that talent on BBC TWO has credibility with our audience, e.g. Dragons' Den, James May's Toy Stories. Whilst expert opinion goes down well, 'expertise' needs to be proven for audiences to believe and enjoy.

All ideas will need to be strong enough to play between 2000 and 2200, and ideally should be flexible enough to play either pre or post watershed.

BBC Two - Comedy Entertainment

PDF to downloadDownload the full list of BBC TWO requirements [PDF, 20 Kb]

Entertainment on BBC Three

BBC THREE

Entertainment on BBC THREE can get right to the heart of delivering what this target age group wants - ideas that are inventive, provocative, quirky, intelligent, attention-grabbing and funny. The channel has a great pedigree in Fact Ent - think The Undercover Princes and Young, Dumb & Living Off Mum. We are keen to continue this success and to deliver formats that have humour at their heart.

Budget Information

  • £60 - £100k per hour for shows being delivered in volume.
  • Up to £150K per hour for weekly Fact Ent or studio shows and celeb led documentaries.

There are opportunities within the WoCC, the in-house guarantee and the indie quota in 2010/11.

BBC Three - Entertainment

Shape

We are looking for both formatted and factual entertainment shows, 30' or 60', with a particular emphasis on pre watershed.

Requirement

Tone is really important on BBC THREE: direct points of view, and an approach that challenges our audience's pre-conceptions work well.

We are looking for factual entertainment that really creates an impact on the network and becomes must-watch television which the audience can't help but talk about - humour will be key to this. Focus on areas and situations that are broad and mainstream but feel really relevant to this audience; think inclusively young rather than exclusively young.

From tastes and lifestyles, to the choices they're making and the issues they're facing, this audience want topics to be treated in novel and quirky ways and they really value opportunities to connect with others - whether it's unmissable event TV to watch together, memorable moments to dissect afterwards, or more generally feeling a part of something bigger. Ideally shows should be returnable, easy to join at any time and strong enough to hold an audience in the competitive 2000 slot.

Talent is key on BBC THREE, but our younger audience don't only want to see young talent - they want to see people who have gained and survived experiences, and who have strong opinions. Above all they want people who make them laugh. These could be personalities who are known from other channels and who bring a particular point of view. They could express these in one-off documentaries, or longer form series.

PDF to downloadDownload the full list of BBC THREE requirements [PDF, 27 Kb]

Entertainment on BBC Four

BBC FOUR

Entertainment on BBC FOUR delivers wit and levity to the schedule. BBC FOUR is the place where mainstream names can indulge their passions - whether it's Penelope Keith And The Fast Lady or Rich Hall's How The West Was Lost. Great BBC FOUR programmes create real impact in the schedule and bring new viewers to the Channel.

Budget Information

  • Up to £80k per hour for comedy entertainment.
  • £50-£70k per hour for archive.

There are opportunities within the WoCC, the in-house guarantee and the independent quota in 2010/11.

BBC Four - Comedy Entertainment and Quizzes

Shape

We are looking for 30 minute formats with a distinct point of view, which will bring traffic through the Channel week after week. Think Only Connect, It's Only A Theory and Charlie Brooker's Screen Wipe. There are opportunities in 2010/11.

Requirement

BBC FOUR is a place to think, and comedy entertainment should reflect that by feeling like a treat for the intellectually curious - but intelligence should not come at the expense of humour. Entertainment values should come in equal measure from clever comedy and fascinating subject matter. Our audience love to feel that they're being challenged as well as entertained.

Programmes need to be executed with ambition and scale, either through the use of mainstream or respected talent exploring their passions or expressing their opinions, or by being long-running.

We're looking for our comedy entertainment to take risks and bring edginess to the channel. It should have attitude and not be afraid to be opinionated - think Charlie Brooker in tone.

BBC Four - Archive & One-Offs

Shape

We're looking for one-off 60' pieces - either archive-based or talent-led - that can form the centrepiece of, or add a lighter tone to, BBC Four seasons.

Requirement

This programming can take a side-long glance at the seasons and nights BBC FOUR often build their schedule around. We don't want to tell stories (the Timeshift documentaries do that very well already) but instead we're looking to provide some variety and levity to the schedule via a series of snapshots in the way that Penelope Keith And The Fast Lady or Ghost In The Machine have done.

Seasons are a really powerful hook to bring new, broader audiences to the channel and entertainment can add a really important lightness of touch and wit.

PDF to downloadDownload the full list of BBC FOUR requirements [PDF, 27 Kb]

Entertainment on Multiplatform

Strictly Come Dancing websiteEurovision Song Contest websiteT In The Park Red Button content

Commissioning Executive

Jo Twist - Entertainment and Switch

Sandra Gorel - Event Entertainment

Entertainment Multiplatform Context

The role of Entertainment in the BBC is to bring people closer together, sparking creativity, action and opinion. Both our studio programmes and events have the power to unite big, broad family audiences as well as surprise younger viewers with formats that enable them to see the world in new ways.

The opportunity for multiplatform is to take audience engagement and delight in our biggest shows to a new level, as well as create new entertaining experiences that our audiences can enjoy outside of our TV schedule.

The key strength of multiplatform in this area is its playfulness. We want to use this quality to expand the grammar of TV entertainment, making our output more social, interactive and full of personality. Shows such as Strictly Come Dancing have already started on this journey, creating play-along applications that encourage deeper interaction online during the main show.

The aspiration for Entertainment Commissioning in 2010 is to make this kind of participation more accessible to a bigger audience without detracting from the shared family experience encouraged by our brands on TV.

Development Priorities

  • Playful Experiences
    • Quizzes
    • Games
    • Social Viewing and Play Along formats
  • Nation Building Events

Playful Experiences

Our main priority is to create simple interactive experiences around our most loved programmes across the TV portfolio. We recognise that developing distinctive cross-platform ideas requires a long lead time, so we want to talk now about initial propositions with a view of developing the strongest ideas into prototypes later in 2010.

All multiplatform ideas in this area should aim to enhance rather than dilute the impact of the linear show. The focus could be on extending the enjoyment of a programme outside of its weekly TX, amplifying appointment to view or creating a legacy after the series finishes. Proposals must consider ways to match the tone / style of programme and how to maximise the audience's relationship with familiar format points or popular talent.

The primary audiences we want to attract are fans of the related shows, but the most successful ideas will also encourage new audiences to explore BBC Entertainment through exclusive content hooks and targeted marketing across BBC Online and external sites.

We're interested in hearing ideas in three main areas:

Quizzes

The BBC has a big legacy in this area, most recently having had success with quiz panel shows such as Never Mind the Buzzcocks and Eggheads on BBC Two, through to our Lottery shows on BBC One. We want to build on our expertise in this area to re-invent the way we approach quizzes in the digital world.

We're looking for new creative formats that burst with personality, are simple to use and encourage regular play. Key territories for us include: brain tests, entertainment trivia, cultural challenges and leveraging people's passions. Proposals can be tied into one or multiple Entertainment shows across TV and Radio but should also indicate how ideas could be adapted in the future to exist as standalone properties on BBC Online, mobile, IPTV, social media sites or gaming applications (such as the Wii).

One area we're especially interested in investigating is the potential to use the BBC's extensive archive to generate questions or allow for learning journeys within our quizzes. Think about creative ways to unlock the archive around returning brands, known talent or subject areas. We are particularly keen to explore how this might be done with text based programme exclusives / data (such as scripts, prop databases etc), as well as pure audio and video archive assets.

We also need ideas for new flexible technology solutions in this area. Please don't bring us ideas that feel niche; our ambition is to give people the opportunity to challenge themselves, play competitively amongst their own friends or battle against an online community we've built around our content. We're keen to improve on the experiences we offer currently, so we'll also only consider proposals that include mechanisms for meaningful audience rewards (instant results, unlocking new content after each round etc) and provide opportunities for users to record their progress and levels of achievement (collect skills sets, rewards, leader boards etc).

Games

Similarly to quizzes, we'll give consideration to all ideas that use gaming functionality to extend the enjoyment of programmes across the entertainment portfolio.

However in this round we're particularly looking to commission one stand-alone browser based flash game for BBC Switch. We're interested in trialling the use of casual gaming qualities to explore the issues close to the heart of this audience. The first topic we're keen to tackle through this kind of 'playful learning' is the environment. For our younger audiences connecting with others is paramount, so encourage social interaction will be vital. Games such as Café World do this especially well by linking the user's progression through levels directly with their ability to co-opt their friends into participating.

Propositions should consider how to reward repeat usage, ways to adapt the technology to address other issues and how links with social media such as Facebook could help bring new audiences to BBC Switch.

Social Viewing and Play-Along Formats

This year both The Apprentice and Strictly Come Dancing experimented with software to enhance their real-time entertainment formats. For this reason we're only interested in hearing about innovative ways to push the boundaries of exiting technology, or editorial ideas for creating rich and intuitive experience for fans.

Ideas should predominantly be liked to existing programmes on BBC One and Two. The focus should be on connecting fans during the linear transmission (either via red button, mobile or online) and ways to encourage them to actively participate in the action. In the past we've successfully extending 'fan joy' with play-along, sing-along, predict and compare formats but most recently opportunities that offer instant gratification around key format points have worked particularly well (i.e. predict how the Strictly judges will vote using virtual paddles). Proposals could also consider how to offer some exclusive content that would enable fans to be in the know amongst their friends.

There is also the opportunity to develop a small number of new programme ideas with interactive applications wrapped around them. With these ideas involving the audience through social play must be absolutely integral to the creative concept. Think about how we can inspire, facilitate and reward audience interaction and how access to well known talent might encourage people to join in.

Nation Building Events

Within Entertainment the BBC covers a modest number of events each year which aim to unite the whole nation around a specific charitable cause or cultural celebrations. By combining our TV broadcasts and regional activities with multiplatform these moments can be made bigger and even more rewarding for a broad range of audiences.

There are two types of Entertainment events which require support from multiplatform: Fundraising events (Children in Need, Comic Relief, Sport Relief) and Cultural events (Eurovision, T in the Park). Although support for each type of event will differ in its focus, we're keen to use the strengths of digital platforms to build anticipation leading up to all events and extend their impact and enjoyment during and after the main moments.

For fundraising events we specifically want to celebrate the efforts of the public and inspire people to do more. We're interested in ideas that support linear programmes by giving the public a forum to share their experiences and contributions, galvanising audiences around a collective desire to raise money and encouraging more great fundraising ideas.

Eurovision is the only cultural event that we're looking to support this round. Proposals should consider how to build on the existing website to help facilitate more of a shared experience and make the audience feel part of the heritage of Eurovision. Bring us ideas that make use of mobile, social media and IPTV functionality to tap into the vibrant, party atmosphere created by Eurovision to fuel the audience's excitement and enjoyment. We're also keen to use archive content to bring the most iconic moments to life, playing up the drama and spectacle this event has provided over the years to help build anticipation before the linear show.

Multiplatform Entertainment Tariffs

Big brand programme enhancement: 60-100k
Online, of the web format: 20-50k
Scripted, original shortform: 1-2k per minute
Reversioned shortform: under 1-2k per minute

Pitching Guidelines

When you're pitching to us, we need you to be able to tell us:

What is the idea?
Ideally expressed succinctly - think elevator pitch.

Who's it for?
Which audiences will use it? Is it aimed at giving new experiences to existing audiences, or bringing in new audiences?

Why will they use it?
What needs, desires, interests, predilections or problems will motivate people to use it?

Why is this something the BBC should do?
Think about our strengths, public purposes, strategy, previous successes/failures and what the wider market is doing (or not doing). What is it trying to achieve?

How will people know it's there?
What will make this idea cut-through? Think about calls to action from TV, PR, marketing, search engine optimisation, links from other sites, viral promotion, etc.

How will people find and share it?
How do we ensure it is findable and accessible? Will web users be able to link to it, embed it, talk about it & promote it to their social networks? Do you intend to make the content available to other sites or services to reach wider audiences?

How will we know what people thought of it?
Consider if we should establish some form of dialogue with the audience. That might be through email, ratings, message boards, or some other mechanism..

What are the key skills & expertise required to deliver?
Does the team pitching the idea already have the skills and expertise required (editorial, technical, design, production)? If not, have you identified potential partners (internal BBC teams, external suppliers, strategic partners)?

Is there technical scoping / proof of concept work required?
And if so, do you have an estimate of how long that will take / how much resource?

How much will it cost?
Consider both initial set-up costs and ongoing costs and maintenance.

PDF to downloadDownload the full list of Multiplatform Development Priorities





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