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24 December 2009
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Arts on BBC One

e-Commissioning

Member of the public with ideas can get information here

Writers Room Link

Durations - don't make your programme too long for your slot - check programme and credit durations here

Interactive TV ideas are submitted to the normal genre teams

BBC ONE

On BBC ONE we will continue to put the Arts at the heart of national consciousness - particularly by offering broader, including younger, audiences an opportunity to engage with the Arts.

Budget Information

  • Opportunities in the WoCC in 10/11 and 11/12.

BBC One High Impact Programmes

Shape

3–4×60' series, singles and events

Requirement

Our Artistic Heritage

We've had great success in delivering programmes about history and heritage, shows like How We Built Britain, and recently The Victorians. We're keen to build on these successes, and future projects should stress the ways our heritage is relevant to the way we live now.

Authority and Innovation

In addition, we're looking for authoritative, but innovative treatments of the Arts to attract a modern audience. This might be in terms of the subjects, the treatments or both. For example, we have recently commissioned a series about the legacy of the 20th Century's most influential artists. In particular, think beyond the visual arts; which other areas of culture can resonate for a broad audience?

Inclusive treatments

The final requirement is for inclusive crowd pleasers - ideas to welcome a broad audience to the Arts. This more inclusive project could either be an interactive event (possibly a series to encourage people to participate in the artistic process) or early evening formatted documentary project.

How can we capture the national imagination with the Arts?

Imagine

Opportunities in the Inhouse and Indie Guarantees in 10/11 and 11/12.

Imagine is about the Arts stories that inform our lives and will continue to look for a range of the big living names and subjects. This is a broad range - everything from David Hockney (David Hockney - A Bigger Picture) to the Company of Elders dance troupe (Save the Last Dance for Me), and from Anish Kapoor to Dame Shirley Bassey.

PDF to downloadDownload the full list of BBC ONE requirements [PDF, 17 Kb]

Arts on BBC Two

BBC TWO

BBC Two is the channel of ideas and should aim to reflect the cultural life of the country.

In order to fully realise that ambition, we need to cover a wide range of subjects - literature, theatre, architecture as well as visual arts - and make an impact.

Programmes on TWO should help us make connections, placing the Arts in the wider context, helping to broaden and deepen the audience's relationship with the Arts. Authority and enthusiasm are paramount.

Budget Information

  • Opportunities in the WoCC in 10/11 and 11/12. Five hours of the WoCC in 11/12 have regional quotas attached.

BBC TWO Landmarks

Shape

We're looking for series of 3×60' or more, as well as high impact singles and events.

Requirement

In our landmark programmes we are looking to explore the full range of the Arts, and to find new different approaches to subjects. Think beyond chronology. The upcoming modern season looks to answer the question 'Did the pursuit of beauty end when modern art was born?' What other questions about art and life could we be illuminating?

Our coverage of the visual arts will continue - we're looking to find fresh resonant, accessible ways to explore the Western Canon and beyond.

We're also keen to expand our pool of talent on TWO with charismatic experts who can inspire a broad factual audience and bring them to the Arts. Armando Iannucci and Robert Webb contributed to the poetry season; who else can engage audiences and speak about areas of the Arts they are passionate about? We are especially keen to find female presenters.

Broadening the Arts on TWO

We're looking for some of our output to makes moves to welcome in broader audiences to the Arts on TWO.

Different format approaches. Transformational titles like The Choir use the Arts to tell remarkable, uplifting human stories. Off By Heart captured the imagination, fusing a child's eye view of poetry with a real life competition format. What are the other ways we can treat the Arts to fire the imagination of broader audiences?

On-screen talent is important. Who are the faces who can bring in different audiences to the Arts, for example in the way that Bill Bailey's Remarkable Guide to the Orchestra brought together fans of comedy and music of all kinds?

PDF to downloadDownload the full list of BBC TWO requirements [PDF, 18 Kb]

Arts on BBC Three

BBC Three

BBC THREE is bold and upfront, dedicated to consistently finding innovative, challenging and entertaining new ways to engage its young adult audience.

Think how Blood, Sweat and Takeaways explored the ethics of food provenance, how Bizarre ER finds a way to do medicine and Britain's Missing Top Model questioned social perceptions of beauty.

How might the Arts capture their imagination in a way that feels brave, unexpected and completely original?

Budget Information

  • Opportunities in 2010 and 2011 are in the WoCC.

BBC Three - Series of differing shapes and an Event

Shape

Series of differing shapes and an Event.

Requirement

Over the years, THREE has had success with bold events like Flashmob: the Opera, Naked City with Spencer Tunick and The Liverpool Nativity, all ambitious and unique. What event can light the imaginations of 16-34 year olds?

It might give our audience a unique way to express themselves, or on the other hand, it might deliberately set out to challenge, to split opinion, and provoke reaction.

Maybe there are ethical issues we can explore? Formatted current affairs subjects have met with success on the channel. Is there a way the arts can help young audiences address urgent issues that they face?

PDF to downloadDownload the full list of BBC THREE requirements [PDF, 18 Kb]

Arts on BBC Four

BBC FOUR

The aim of BBC FOUR is to bring the cultural world to life in interesting ways - shining a light on sometimes particular subjects and bringing them to life with distinctive imagination.

Programmes should stimulate debate and champion new thinking with real substance and fresh opinion. Crucially, they should find original ways to engage audiences.

Across the board, we want more of our programming to embrace a more experimental approach. How can we surprise our audience? It might be subject matter, but it could equally be our approach. Flashmobs, 3D, Live are possible; what's going to break the surface in a digital environment?

BBC FOUR seasons will continue to be commissioned across more than one genre - and Arts will contribute with singles and short series.

Budget Information

  • Opportunities in 2010/11 and 11/12 in the in-house guarantee, independent quota, and the WoCC. A number of hours have a Nations quota attached here so we're on the look out for ideas from around the UK.

3 × 60' Authored Series on FOUR

These series should cover a variety of Arts territories and find distinctive approaches and treatments to bring them to life. In particular, these series need to be driven by a clear, compelling and original proposition.

We're always on the lookout for expert, imaginative talent who can inspire us to think again about subjects we thought we knew, or spark our imagination with areas we've never thought to explore.

Presenter-led singles, as part of seasons

Presenter-led singles, as part of seasons, headed by familiar faces we want to spend time with. Simon Armitage made an impassioned case for re-considering Gawain and the Green Knight in a modern context, and Robert Bartlett took us inside the medieval mind. Paul Merton on Hitchcock showed a presenter with real enthusiasm and knowledge of his subject, directed with personality and flair.

These might be the ideas of recognisable experts like Simon Armitage's take on Sir Gawain; they might be passion pieces of non Arts experts, like Paul Merton's take on Hitchcock.

30' shows for early in the evening

We're also looking for 30-minute shows for earlier in the evening. What are the subjects and treatments that feel like time well spent at this time, building on the success of programmes like Wainwright's Walks and Masterpieces of the British Museum?

PDF to downloadDownload the full list of BBC FOUR requirements [PDF, 17 Kb]

Arts on Multiplatform

Commissioning Executive

Nick Cohen

The Knowledge Multiplatform Strategy

The BBC has been informing and educating its audiences since its foundation. It has built a reputation as one of the greatest knowledge-building organisations in the world. We want to extend this experience beyond radio and television and deliver knowledge-building that sets the standard on digital platforms.

Knowledge Multiplatform will create a world-class treasury of knowledge, connecting the BBC, the public and the wider web to help people understand and explore their world. It will transform the way in which the BBC makes content and services for all audiences across all platforms, and improve its ability to deliver on its public purposes.

This vision will influence all our commissions within the Knowledge Multiplatform portfolio.

The Knowledge Multiplatform Strategy is available here.

Arts Multiplatform Context

The BBC's responsibility to support and enable the cultural life of Britain forms the foundation of our commissioning in arts. And as the web and digital technology change the nature of media, online and interactive platforms are playing an increasingly vital role for us in delivering this objective.

We believe that the internet has the potential to transform the BBC's role in engaging the public in arts and culture by providing innovative new ways to present the arts, offer context and commentary, make connections (around the web, across the BBC and into the BBC's archive), and have a lasting legacy.

Our focus is on finding big, bold arts ideas that are accessible, distinctive and enjoyable for a mainstream audience.

Development Priorities

'360 degree' impact projects

We are looking to commission a small number of high impact arts projects every year that will generate significant impact through their creative use of interactive media and build the BBC's reputation for funding innovative, exceptional work.

We are primarily looking for true '360' projects, where the TV and web aspects of the production are inextricably linked, although we are also interested in hearing ideas which don't have a broadcast TV component.

Our focus is on subject areas that will resonate with existing communities of interest online, while at the same time drawing in new audiences to arts subjects through imaginative new approaches.

We recognise that bringing the biggest and best ideas to life obviously requires a long lead time, so we want to talk now about cross-platform ideas for 2010 through to 2012.

Online arts 'products'

As well as high impact '360' events we are looking to develop a small number of ongoing arts 'products' on the BBC website. By 'product' we mean an ongoing online tool or service that delivers one clearly defined benefit for the user. Products should either stand alone from our programmes (such as GCSE Bitesize), or support multiple different programmes (as the BBC Recipe Finder does).

Arts products could come in various forms: they could be content focused, generated by user contributions or be simple, software driven tools or applications - but crucially all proposals in this area should be truly distinctive.

A great example of a potential product that we have in development at the moment is 'Your Paintings', a collaboration with the Public Catalogue Foundation which aims to make all 200,000 paintings in public ownership in the UK viewable and findable online. We believe this could be a fantastic cultural treasure trove that could form the foundation of a wide range of activity to engage audiences in the arts.

Cultural partnerships

Whether a 360 degree impact piece or an ongoing web product, across our arts output we are looking to find creative ways to work with partners in the cultural sector.

Arts multiplatform proposals should consider what other organisations we could potentially work with to give the project added weight, increase impact, reach new audiences, or provide opportunities for an ongoing legacy. They could be organisations that the BBC is already working with (for example the Arts Council, Tate or the British Museum) or suggestions for new partners - but we recognise that on the web the BBC should not be an island and should instead be always on the lookout for ways to connect with and support the work of other cultural bodies.

Pitching Guidelines

When you're pitching to us, we need you to be able to tell us:

What is the idea?
Ideally expressed succinctly - think elevator pitch.

Who's it for?
Which audiences will use it? Is it aimed at giving new experiences to existing audiences, or bringing in new audiences?

Why will they use it?
What needs, desires, interests, predilections or problems will motivate people to use it?

Why is this something the BBC should do?
Think about our strengths, public purposes, strategy, previous successes/failures and what the wider market is doing (or not doing). What is it trying to achieve?

How will people know it's there?
What will make this idea cut-through? Think about calls to action from TV, PR, marketing, search engine optimisation, links from other sites, viral promotion, etc.

How will people find and share it?
How do we ensure it is findable and accessible? Will web users be able to link to it, embed it, talk about it & promote it to their social networks? Do you intend to make the content available to other sites or services to reach wider audiences?

How will we know what people thought of it?
Consider if we should establish some form of dialogue with the audience. That might be through email, ratings, message boards, or some other mechanism..

What are the key skills & expertise required to deliver?
Does the team pitching the idea already have the skills and expertise required (editorial, technical, design, production)? If not, have you identified potential partners (internal BBC teams, external suppliers, strategic partners)?

Is there technical scoping / proof of concept work required?
And if so, do you have an estimate of how long that will take / how much resource?

How much will it cost?
Consider both initial set-up costs and ongoing costs and maintenance.

PDF to downloadDownload the full list of Multiplatform Development Priorities





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