Requirements for all these programmes

It is the responsibility of production to book all the required circuits.

The cost of lines, including communication circuits, and all other facilities deemed necessary by Television for safe transmission of these programmes, must be included in programme budgets.

You must know your commissioned format when booking feeds, and arranging off-air recordings for delivery to Playout, to ensure the correct circuits are booked and the right tape formats are used.

All programmes must supply a standby programme if requested - details here.

All programmes playing live into Network Playout (Red Bee Media) should run their titles (or recorded pre-title sequences) from minus 1" starts. NB This does not mean a clock should be present at -1" for ID purposes. Current best practice should be followed i.e. the clock should drop to black at -3" and early vision should appear at -1". This provides confirmation to both production & playout that the correct title sequence is loaded and the machine is ready to go.

Live productions recording 'PasBs' for subsequent scheduled repeats must ensure that a clock is present at the start of the recording. If the only way of guaranteeing this is for the programme titles to be played from a longer cue when played in live, Red Bee Media will accept this.

Please read the BBC's Specific Requirements for Programme Delivery from remote sources, including Outside Broadcasts in its Technical Standards (Chapter 9 Appendix 3).

Additional Requirements for Live Programmes

Open Talkback should be offered to Playout (Red Bee Media) from 10 minutes pre TX and maintained throughout the duration of the live programme. If Production need to cut talkback at any time to maintain confidentiality, it should be restored as quickly as possible. Open Talkback during transmission allows Playout to quickly assess whether the production team are aware and reacting to any problems which may occur, and to help identify where in the transmission chain the fault may lie. For further information on working with the Red Bee Media Playout team click here (PDF format, 24Kb).

Production must ensure a master tape of the programme is made, and delivered to BBC Information & Archives after transmission.

The cost of this should be included in programme budgets (N.B. for Independent Entertainment and Factual programmes this will be organised by the Programme Delivery Unit on behalf of the production).

Additional Requirements for Off-Site Programmes

Production will ensure that a BBC representative is present throughout the transmission, at the agreed contact location from where the programme is being transmitted.

Additional Requirements for Quick Turn-round Programmes and Late Edits

If a programme is planning to deliver their transmission tape to the London Playout Area, but it is still being edited at 1 hour before transmission then production have to make arrangements to book lines and circuits from their edit suite to the Playout Area.

If the tape is not likely to arrive in the playout Area 30 minutes before transmission, then the programme must transmit from the edit suite, and production are required to remain in the edit suite for the duration of the transmission.

Late deliveries and fast turnaround programmes may be recorded direct to playout servers - contact Red Bee Media for more information.

Production will ensure that a BBC representative is present throughout the transmission, at the agreed contact location from where the programme is being transmitted.

Booking Circuits and Lines

The International Unit or Satellite Bookings arrange all International feeds and UK programme feeds between BBC premises and also to/from other broadcasters and post production facility houses for independent producers.

Network Bookings arrange UK programme feeds on BBC circuits for in-house producers.

Points to Consider

• Programme material exchanged with other countries often has to be converted, not just aspect ratio but also actual television standard. E.g., USA television has 525 lines/picture and a colour system called NTSC. In Europe we use 625 and PAL.
• Seek advice on what communications are appropriate for your live feed. This could be anything from a telephone connection to full reverse vision.
• For a programme of sufficient complexity, it might be worth considering hiring an engineer from the Broadcast Engineering division of BBC Technology to be at the remote site. He/she would have arranged all of the circuits and communications and be able to organise and trouble-shoot on the day.
• The term "Satellite" Bookings can be misleading. Unless you have a preference, international circuits are just as likely to be booked on terrestrial optical fibre. This is preferable as it does not have the awkward delay sometimes seen in 2-way interviews.

Paperwork Requirements

All paperwork is required as normal for live programmes with the exception of the Transmission Form which is not currently required.

Live (and Near-Live) Programmes

The cost of lines, including communication circuits and all other facilities deemed necessary by the Commissioning Editor for the safe transmission of live or near-live programmes, must be included in programme budgets. The Production Team must budget and plan for the availability of the necessary main and reserve circuits to provide sufficient resilience for the OB incoming to BH Glasgow. Any live event must take into account the effects of Digital Delay when booking facilities, e.g. off-air cues will be inaccurate.

For live or vulnerable programmes i.e. programmes edited close to transmission, the Production Department will supply a standby programme on Digibeta at the request of Commissioning & Scheduling on terms to be agreed in good faith.

Production departments are responsible for arranging copies and delivery of live programme tapes after they have been transmitted. The delivery requirement is the same as that of recorded programmes.

BBC Scotland Guidelines for major OBs and events are available on request - contact us here.