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Story last updated: 18 September 2003 1539 BST Printable version of this page
Painting the future
  A funny little animated robot has the normally staid world of computers all of a flutter.
New technology could be a big boom for the little guys
The robot is the star of a four-minute film called The Painter, created by Bristol production company 4:2:2, using experimental technology from Hewlett Packard's Stoke Gifford premises.

The short film tells the story of a tiny robot artist made of spare computer parts.

Stuck in a dark and gloomy room the little hero can only dream of adventures by painting on the walls.

This changes the day he summons a genie, who grants him three wishes and transports him to a tropical paradise.

The animation has been produced using an experimental rendering service from the HP labs, which offers users a huge remote-access computing capacity.

Dipping into the pool

The Painter and genie take it easy
It means that instead of having to pay out a large lump sum to buy new computer hardware, companies, especially small ones, can tap into a pool of shared resources, paying only for what they use.

"Companies like ours really have a hand-to-mouth existence, never knowing when the next commission will come in," explained Andy Davies-Coward, 4:2:2's chief creative officer.

"The idea of being able to latch onto computers when you need them is really interesting."

The Painter was rendered, basically a process which completes the animated picture by adding texture and detail, in just 17 days - a big breakthrough for a very time-consuming and power-heavy process.

And for those interested in the minutiae of the details - the four-minute film is composed of 50 different shots comprising 178 separate rendering jobs.

The most complex frame took 97 minutes to render and the average time was 38 minutes.

And anyone hoping to make a CGI film the old fashioned way might like to know that during the production 4:2:2 tapped into up to 104 computers, generating 36 gigabytes of content!




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