Blog posts by year and month November 2010

Posts (10)

  1. Bright colours, repetition, a strong sense of right and wrong and a title sequence which tells the audience what the show is about are all important elements when it comes to making television for an audience of four- to six-year-olds. Those are some of the things I learned when the College a...

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  2. I'm a writer, and the director of the Romany Theatre Company (RTC). I'm a Gypsy Traveller. I've been writing plays for theatre, radio and short films for about twelve years now. I founded RTC eight years ago - RTC runs Arts and Education projects with both Travellers and non Travellers. Bei...

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  3. Writer, creator and star of Miranda, Miranda Hart, has written this blog post for the BBC TV blog where she talks about how she creates and writes her sitcom. It's an entertaining read which gives a real insight into the writing process for a TV sitcom - from initial storylining, to drafting ...

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  4. Accused - Jimmy McGovern's sextet of dramas on crime and punishment, starts tonight on BBC One at 9pm. Watch an introduction to the series below: Keep an eye on our blog in the next few weeks as we'll be featuring blog posts from the writers of Accused. In the meantime, here's an earli...

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  5. Based on a true story, Hattie Naylor's Ivan and the Dogs follows Ivan, a four-year-old boy who runs away from home in 1990's recession-ravaged Moscow, finding protection and kinship with a pack of street dogs. Currently enjoying a successful theatre run, Ivan was originally a radio...

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  6. In 2009, BBC writersroom worked in partnership with BBC Film Network and Lighthouse Arts to produce four new cinema shorts from emerging writing and directing talent, which premiered at the Encounters Short Film Festival. You can watch three of the four films below: Wish 143 by Ian Barnes ...

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  7. As part of this year's Radio 3 Free Thinking festival, there will a live recording of Vultures - a new Roy Williams play, at the BALTIC Centre for Contemporary Art, Gateshead. Vultures will be broadcast in Radio 3's Drama on 3 on Sunday 7 November at 8.30pm, and you can book NOW for free tic...

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  8. We had a great time judging the IN THE RED competition. We received a huge range of entries, some were entertaining, some were hard-hitting, and all were topical. Recurrent characters across the spectrum: George Osborne as a child, more surprisingly Wayne Rooney, and of course, many of the piece...

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  9. We've just added two brand new scripts from the current series of Doctor Who CBBC spin-off, The Sarah Jane Adventures - both written by Phil Ford, to our script archive: The Vault of Secrets, Part 1 The Vault of Secrets, Part 2 Read an introduction below from Phil, where he talks about how he approaches writing for the series. Phil Ford For anybody who hasn't watched it, The Sarah Jane Adventures is the CBBC spin-off from Doctor Who - I'm guessing that you've probably seen that, and indeed the only reason you've never tuned in to SJA is because it's on before your home time - or you think it's just for kids. Well here's a hint on how to write for kids - DON'T. I've worked on every series of Sarah Jane (I've also done Doctor who and I've done Torchwood) and I've written scary stuff for all of them, emotional stuff, and stuff that's there to make you think. Because that's the secret of writing for children - respect them; they're a smart bunch. And tell stories that entertain you, the adult. Stories that you would want to watch, something that would satisfy you, and feed your imagination. Don't give them candyfloss - it might look bright and colourful, and it might taste good, but an hour later you're either hungry again or nursing a stomach ache. So I never write for this show thinking of it as a kids' show, just as a medium to tell a great, thrilling story. Okay, let's be sensible; there are things that you wouldn't do in a show that goes out around teatime, but that's just common sense. That doesn't mean you can't tell your story in a grown-up way. It doesn't mean you can't be challenging in your themes or nature of your story. Our show might deal with aliens - even some that fart and explode in messy goo - but we've also talked about serious subjects like dementia, marital break-ups, and (no pun intended) teenage alienation. On the other hand, The Sarah Jane Adventures is also fun - it's a rollercoaster ride of thrills and fun and drama that's about family and the wonder of the universe, and the wonder of life itself. And The Vault of Secrets is very much a romp that doesn't take itself too seriously. It sees the return of two extra-terrestrials that I've written for in the past - Mister Dread and his Men in Black who first appeared in my animated Doctor Who story, Dreamland, and Androvax the Veil who has a nasty habit of slipping inside other peoples' bodies as he sets about destroying their planet. Androvax first appeared in the previous season's Prisoner of the Judoon story which was itself connected with Dreamland (the wonderful thing about working in the Whoniverse is the opportunity to cross-reference shows like this). But the only reason to ever bring a creature back is in order to learn more about them (don't forget aliens are characters and worthy of development just as much as any human protagonist) - and in The Vault of Secrets we get to see another side of Androvax, and get a better grip on Mister Dread and his purpose on Earth. For all its running about and shapeshifting hi-jinx, however, there is also a real moral dilemma at the heart of this story, and that's why I love it.

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  10. Just a quick one to let you know that we are now on Twitter! Follow @bbcwritersroom to stay up to date with the latest new writing opportunities, and to get a glimpse into the daily goings-on with the BBC writersroom team.

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