Monday 9 May 2011, 16:42
Exile is without a doubt one of my proudest moments as a writer. It is a show that sets out with serious themes in mind and explores them through character, whilst utilising a thriller motor to forward the narrative.
So where did it come from? Well, having worked with Paul Abbott on three previous shows - Clocking Off, Linda Green and Shameless - we were keen to work together again. After thrashing through a few different ideas, Paul produced a short six page document from his bottom drawer and asked me to read it. It was entitled Exile and was the premise for an independent feature film. It was set in America and involved a sex scandal in US politics. But at the heart of it was a father /son story, which really interested me. So we set about reconfiguring the narrative and it kind of took on a new life. I brought in a lot of themes that excited me and took it into the politics of local Government. But I always tried to remain truthful to Paul's original idea.
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They say write about what you know, but that is only half true. If writers only wrote about what they know, drama would be very dull indeed. You have to try and capture the truth of emotions you recognise and place them into a dramatic context. I understand heartbreak, because it has happened to me, but I can apply that same feeling to all kinds of different people who - in that moment - feel as if their world is falling apart. This is what writers do when they are writing at their best. For me, drama fails when it fails to emotionally engage, when writers refuse to put a piece of themselves into their work.
I was lucky enough to be mentored by Nicola Shindler and Paul Abbott, two of the best in the business, and I now feel the pressure to do good work, because I want to reach their standards. And that's not a bad motivating force. But I'm a particular kind of writer; I could never do sci-fi or something vampires, because that stuff just doesn't interest me. I want to grapple with contemporary lives. My other favourite writer is Tony Marchant - if I could get close to some of the stuff he's done, I'd be a very happy man.
Read the script for Episode 1 of Exile in the writersroom script archive.
Danny Brocklehurst will be speaking at this year's TV Drama: The Writers' Festival which takes place on 6th - 7th July at Leeds College of Music. Apply now for your ticket to the festival.
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Thursday 28 April 2011, 15:55
Wednesday 11 May 2011, 15:43
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Comment number 1.
CASTELLAN10th May 2011 - 8:08
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Comment number 2.
asunnyday10th May 2011 - 23:31
As an aspiring writer who sometimes despairs at what reaches our TV screens, 'Exile' was inspirational. Superbly written, acted and directed, it reinforced the calibre of what British TV writing is and can be. For writers, it IS all about the pressure to achieve standards, emotional engagement and truth. Difficult, yet when it does, combining to produce one of the best pieces of drama in ages.
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Comment number 3.
notStoppard13th May 2011 - 11:03
Congratulations to Danny Brocklehurst. Just when I thought BBC drama had lost its way and had become buried under cop shows and reality nonsense, here is an example of the far-reaching possibilities of the medium: a great writer, excellent production values, including two charismatic lead actors. When the trailers were going out, I was concerned that this was going to be an overblown story about Alzheimer's disease. But I think the tone was perfect - not mawkish or cliched. I have a feeling the writer doesn't have any direct experience of the illness? I say this as a positive observation as he has brought a freshness and empathy to these humans in crisis. Also I loved the language. As a theatre writer, I thought the dialogue was spare but rhythmic. The thriller angle imbued real energy.
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Comment number 4.
bmcdonald14th May 2011 - 1:05
This is why we need the BBC, fantastically written drama, fantastically acted, gripping from start to finish!
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Comment number 5.
june doris15th May 2011 - 21:02
EXILE is one of the best drama pieces on TV for ages. BBC keep these coming. Fabulous acting from ALL the cast. Brilliant writing.
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