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BBC Drama Writers Academy 2009

Piers Beckley | 11:14 UK time, Wednesday, 8 April 2009

This year's BBC Drama Writers Academy is now open for applications.

The Academy offers writers with one or more professional commissions the opportunity for three months training, followed by a rotation across the BBC's Continuing Drama series.

You can find out more on our Writers Academy webpage and read an interview with Michael Levine, one of last year's graduates.

If you don't yet have a professional commission, don't forget that you can always send your work to us at the BBC writersroom.

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  • 1. At 1:25pm on 08 Apr 2009, Murb1970 wrote:

    This comment was removed because the moderators found it broke the House Rules.

  • 2. At 8:16pm on 09 Apr 2009, greyslate wrote:

    "If you don't yet have a professional commission, don't forget that you can always send your work to us at the BBC writersroom"

    Any chance of a little more information about the means and selection methods of the writersroom? To be honest this is an area where the BBC seems to lack transparency. I have a few other concerns with respect to this before I'd be willing to submit.

    I can bullet point a few questions here, but I don't want to side track your blog.

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  • 3. At 3:08pm on 10 Apr 2009, Piers wrote:

    You can read all about our selection process here. We also have a flowchart describing each of the stages a script goes through when it gets to us.

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  • 4. At 8:58pm on 11 Apr 2009, Sinibaldi wrote:

    This comment was removed because the moderators found it broke the House Rules.

  • 5. At 10:07am on 14 Apr 2009, TomMurphyBR3 wrote:

    Hi Piers

    Just a quick question about the 'professional commission' stipulation. A while ago I sold a short script - for money! Is the deed of assignment for that sufficient to qualify?

    Thanks
    Tom

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  • 6. At 2:04pm on 16 Apr 2009, cerimeyrick wrote:

    @ TomMurphyBR3

    Yes it is. Good Luck!

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  • 7. At 2:04pm on 17 Apr 2009, medicaldramaqueen wrote:

    Hi, on the Academy website last year's graduate Micheal Levine mentions that the shows - Doctors, Eastenders, Casualty, Holby - have their own channel of entry for writers. As I really want to aspire to write for these shows and have had a full read with feedback with a medical drama script, is there a way that aspiring writers can send a calling card script, not a copycat script, direct to the specific show's producer/head writer? I presumed not until I read his comment - could you explain more? Also, at the Bristol roadshow I asked if there were writers still submitting who had recieved five or six full reads with feedback and Paul replied yes - as writers are not permitted to send in more than one submission at a time and a full read takes about four months that's a lot of years and not a lot of submissions. Just wondered what the usual progression is. Thanks, Michelle Copelin.

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  • 8. At 6:23pm on 17 Apr 2009, Brucewriter wrote:

    While people are asking questions, I'm an experienced writer who's written for most of the departments shows. Would there be any point in me applying? Seriously.

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  • 9. At 3:05pm on 18 Apr 2009, cerimeyrick wrote:

    @ medicaldramaqueen

    All the shows read scripts directly, but only from agents, or those passed on to us by the Writersroom They all run shadow script schemes for writers they're interested it, which is what Michael was referring to.

    @ Brucewriter

    Interesting question... In the initial stages of selection you are judged purely on your original script. If you make it through to the shortlist we'd then take look at your experience and whether you'd benefit from the course. Experienced writers who've written for the shows have been on the course in the past... so, seriously?, yes.

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  • 10. At 7:38pm on 18 Apr 2009, Brucewriter wrote:

    Interesting answer, but I've written lots of eps... going back over a decade. I've even been told that some of my work has been used to teach on the course in the past (but then that might have been - this is how you don't do it!) Would an application be seen as taking the michael? I've got another experienced writer mate who's thinking of doing the same thing!

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  • 11. At 6:56pm on 19 Apr 2009, cerimeyrick wrote:

    In the end it's the decision of the Executive Producers on the shows... We've certainly had writers that have written for some shows and not others.

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  • 12. At 11:42am on 22 Apr 2009, writeress wrote:

    Can you apply on PDF it says Word preferred but my original script is in Final draft which only seems to save as PDF?
    sorry for boring technical question which could probably be answered by ringing the recruitment line.

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  • 13. At 12:18pm on 22 Apr 2009, Brucewriter wrote:

    Writeress, if its any consolation, I was going to ask just that exact question. Also, my original script, I was thinking of submitting the (commissioned) pilot ep for a new series. Does that still qualify as an original script?

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  • 14. At 3:44pm on 22 Apr 2009, U13783415 wrote:

    Most people can read PDFs - that's the whole point of them really. But, if you want to convert from FD to Word:

    Save the FD doc as a .rtf (rich text format) - that'll give you something that look like Word .doc (but isn't), and then save that as as .doc: usually 2003-2007 Word.

    What you'll find is that you'll have to reformat some of it as things like 'more' and 'cont'd's can get lost. And it won't carry sc numbers across...v.annoying. Otherwise, it's pretty good. Good luck.

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  • 15. At 10:56pm on 22 Apr 2009, cerimeyrick wrote:

    @ writeress
    PDF is fine

    @ Brucewriter
    Yes, it does


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  • 16. At 09:47am on 23 Apr 2009, Brucewriter wrote:

    Out of curiosity, given that Final Draft is now pretty much a standard, why don't you accept it?

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