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College of Comedy

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Piers Beckley | 17:25 UK time, Monday, 30 March 2009

Just a quickie to say that the BBC College of Comedy 2009 is now accepting applications.

The college is the Comedy equivalent of the BBC Drama Writers Academy and is run by Micheál Jacob, who has been known to post a blog or two about it here.

I'm sure he'll be around shortly to say more about it, but I thought it was worth pointing out so everyone had a chance to start polishing their scripts or sketches before the deadline, which is noon on 24 April 2009.

As with the Academy, you'll need to have had a professional comedy commission to be eligible. More details are on the College of Comedy page.

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  • 1. At 10:25am on 31 Mar 2009, i_amMisterP wrote:

    Comedy College? Will the writers be getting funnier by degrees?

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  • 2. At 10:30am on 31 Mar 2009, AspieBoy wrote:

    Marc, you've had a year to come up with some new College of Comedy jokes and that's the best you can do? :)

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  • 3. At 2:00pm on 31 Mar 2009, MichealJacob wrote:

    I will do a bit about the second year shortly, but thanks to Piers for this. I can't remember if Marc did that gag last year, or whether it's freshly minted.

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  • 4. At 4:20pm on 31 Mar 2009, i_amMisterP wrote:

    No it's hot off the press. I've been learning vicariously from your blog you see!

    :)

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  • 5. At 5:33pm on 31 Mar 2009, MichealJacob wrote:

    In that case, Marc, I can retire in the knowledge of a job well done.

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  • 6. At 12:07pm on 01 Apr 2009, AspieBoy wrote:

    Get a room, you two! ;)

    On the subject of the comedy college, I remember in a previous blog you (Michael) talking about the desire for cheap and cheerful comedy, with fewer sets and main characters, etc. Would we better submitting something along these lines, rather than more high-falutin high-concept stuff?

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  • 7. At 4:00pm on 01 Apr 2009, Damejuggles wrote:

    can it have been a theatre commission?

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  • 8. At 9:48pm on 01 Apr 2009, shining shadow wrote:

    #6
    Oh not another cardboard set bound sitcom with limited scene changes and formula stories...oh no! Surely the BBC have saved enough money in the sitcom budget now from three series of Not Going Out to afford to splash out a bit more on a less claustraphobic and artificial looking sitcom. I don't think I could sit through another one as cheap looking as NGO.

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  • 9. At 11:23pm on 01 Apr 2009, i_amMisterP wrote:

    Yeah, multiple scene changes that's the way forward alrighty. Why don't those numpties at the TVC ever see that. And cardboard. Doh! How like a sixties fabric is that. I can't sit through cheap looking shows either, I have to stand up take my purple hat off my head and shake my fist at the TV.



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  • 10. At 09:42am on 02 Apr 2009, AspieBoy wrote:

    I do like it when you get a bit arsey, Marc, although I didn't understand the purple hat line? :)

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  • 11. At 10:34am on 02 Apr 2009, epixie wrote:

    Hi Micheal,

    I was also wondering about the rules for entry to the Comedy College actually are. Years ago I did a one man comedy show whilst at Uni but also played to a paying audience in an Arts Centre. Also did loads of unpaid comedy gigs at London Comedy clubs back in 1996, but now work in a school. Do I qualify? I can only hope

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  • 12. At 10:45am on 02 Apr 2009, i_amMisterP wrote:

    @) Aspie

    You clearly didn't read the digest of Micheal's symposium on the importance of clothing to delineate comedic character and flaw.

    http://i253.photobucket.com/albums/hh53/ravens-soul/oscar-wilde.jpg

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  • 13. At 10:52am on 02 Apr 2009, MichealJacob wrote:

    Hello all. Your questions:

    @Aspie/Shadow/MisterP
    Programme budgets across the industry are being reduced - either through commercial imperatives or, in the BBC, on a planned basis. The money we are given to make shows is being reduced annually, and while there will always be high-end sitcoms, the budget has to be balanced by cheaper shows. That is why I encourage writers to think economically in terms of character numbers and serttings/locations. But cheaper doesn't mean have to mean low concept, Aspie (though I'm not really a fan of high falutin). High concept always feels a bit risky to me, in the sense that it can be the concept which drives the show rather than the characters. But the point of submissions to the college is to demonstrate writing rather than pitch an idea, so although cost will inevitably be in the back of my mind, if it's hilarious and brilliant writing, that will drive thoughts of budget away.

    @epixie - the scheme is for writers who have embarked on a professional career, and are thus likely to benefit from the scheme. This year's 'students' are largely equal in terms of experience, and that felt like a good basis for helping them to develop, rather than starting from basics.

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  • 14. At 12:06pm on 02 Apr 2009, MichealJacob wrote:

    @epixie - I meant, of course, 'last year's students' rather than this year's.

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  • 15. At 5:38pm on 02 Apr 2009, Damejuggles wrote:

    Micheal
    I'm an Equity member, does that count? and that I've had two comedy plays produced on London fringe?

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  • 16. At 09:30am on 03 Apr 2009, MichealJacob wrote:

    @Damejuggles I'm afraid Equity membership isn't relevant, but two produced plays would count if people paid to get in.

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  • 17. At 09:53am on 03 Apr 2009, MichealJacob wrote:

    And further to Damejuggles... I've been getting a number of questions to the college about eligibility, and a bit of abuse from people without writing CVs.

    Some people seem to be taking it as a talent competition, which it isn't, and some are chancing their arms and submitting anyway, defining their writing achievements rather generously (had a sketch broadcast on hospital radio).

    The scheme is about professional development.

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  • 18. At 10:21am on 03 Apr 2009, Damejuggles wrote:

    Oh thanks Micheal, yes people paid to get in and the actors were on equity contracts

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  • 19. At 3:45pm on 03 Apr 2009, Thomas_George wrote:

    Hello! I've had a sketch on Recorded for Training Purposes on Radio 4 and I've written and performed to a paying audience at the Edinburgh Fringe... does this count? I'm all for some professional development!

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  • 20. At 4:14pm on 03 Apr 2009, MichealJacob wrote:

    @Thomas_George

    The entry requirements state: Applicants will have had their work broadcast; had work commissioned for development by a broadcaster or production company; or had their work performed professionally, either as a writer or a writer/performer. Applications which do not meet these criteria will not be considered.

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  • 21. At 4:30pm on 03 Apr 2009, Thomas_George wrote:

    I have read the criteria but I guess what I'm confused about is whether or not the radio sketch counts as this came about through my entering into an opportunity posted through the writersroom and it was only a three minute sketch. Also I wasn't sure if writing and performing at the fringe counted as a professional credit since anyone can do this...

    Sorry if I'm coming across a bit dumb but I'm relatively new to all this and some further clarification would be helpful, hopefully I'm not alone in that...

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  • 22. At 4:58pm on 03 Apr 2009, MichealJacob wrote:

    @Thomas

    Well, you've had something broadcast and people have paid to see you, so that would count.

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  • 23. At 5:14pm on 03 Apr 2009, Thomas_George wrote:

    Thanks Michael, appreciate the help!

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  • 24. At 7:39pm on 03 Apr 2009, loadsofwords wrote:

    Is there a feeling one way or the other regarding a suitable / preferred age for students?
    For example, what was the age spread, in broad terms, of last year's intake?
    I ask because although I'm not about to get a free bus pass, it's also true to also say that my Club 18-30 holiday entitlement is something of a faded memory.

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  • 25. At 1:59pm on 04 Apr 2009, AspieBoy wrote:

    Unless you include your birth certificate, there's no way of them telling how old you are.

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  • 26. At 9:36pm on 04 Apr 2009, Damejuggles wrote:

    Unless you include your birth certificate, there's no way of them telling how old you are.
    ###


    Unless you write something like Dad's Army

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  • 27. At 11:22am on 06 Apr 2009, AspieBoy wrote:

    Not necessarily, Damejuggles, one of the things about a show like Two Pints of Lager is how many frankly creepy old people are involved with it behind the scenes. :)

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  • 28. At 12:40pm on 06 Apr 2009, MichealJacob wrote:

    @loadsofwords
    There is no age restriction.

    @Aspie
    The current series of 2 Pints has a producer in her twenties and, apart from the very young Susan Nickson, a writing team also in their twenties. And I'm not sure that the executive producer would warm to being described as old or creepy, since she is neither.

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  • 29. At 4:22pm on 06 Apr 2009, AspieBoy wrote:

    Michael

    I thought Paul Mayhew Archer was involved in it? He's no spring chicken! (Although, bizarrely, his name did crop up in a biography of Bill Hicks I was reading recently).

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  • 30. At 09:26am on 07 Apr 2009, MichealJacob wrote:

    @Aspie

    Paul isn't involved with this series, which is being script edited by one of the writers, Jon Brown, though he script edited the previous seven.

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  • 31. At 10:22am on 07 Apr 2009, AspieBoy wrote:

    @Michael

    You take the fun out of everything with your touchy over-defensiveness. :(

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  • 32. At 11:19am on 07 Apr 2009, MichealJacob wrote:

    @Aspie

    Comedy is a serious business you know. But you're right, of course. Paul and I are more winter chickens than the spring variety, best used for stock.

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  • 33. At 12:35pm on 09 Apr 2009, loadsofwords wrote:

    Ah then there's hope Micheal.

    One last hurrah before I go out to that pasture only inhabited by similar creepy old 'uns like me :)

    Off now to take my medication and have a fitting for my new dentures.

    *waves a shaky goodbye with walking stick*

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