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The Alfred Bradley Bursary Award

Piers Beckley | 18:23 PM, Monday, 1 December 2008

Jeremy Howe, Commissioning Editor for Drama on Radio 4 is one of the judges for the Alfred Bradley Bursary Award, which launched today.

So if you're thinking of putting in an entry - or even if you want to try writing something for the Afternoon Play slot outside of the competition - you should probably have a listen to what he's looking for. Here's Jeremy:

"If you want to write an Afternoon Play for Radio 4 I have two important suggestions to make - please listen to the Afternoon Play - and not once but often, get a feel for what we do. It is on every weekday at 2.15 and available as Listen Again on the BBC Radio4 website or the iPlayer.

"Whatever you do don't clone what you hear - because we have already done it.

"And please listen to Radio 4. I would put money on it isn't what you think it is. A Torturers Tale was a series of interviews with torturers, Down the Line is a thoroughly irreverent spoof chat show, Vent is a sit com about a man on a life support machine, etc, etc.

"At its best Radio 4 is challenging, curious and mischievous. And is content rich. Get a feel for what Radio 4 does and you will get a feel for what you can do in an Afternoon Play.

"What are we looking for in a play? A good story told in a fresh and original way. It is that simple. Good dialogue is pretty crucial. Because it is a single it has to stand out, it has to grab us. And the canvas you can paint on in radio is as large and as exciting as your imagination can make it.

"We make nearly 200 Afternoon Plays a year. About 40 of them are by writers new to radio or writers on their second commission. We want new voices. We are serious about developing new talent. There wasn't just one winner the last time we ran the scheme - five of the writers shortlisted in the 2006 Award have been commissioned for the Network. This year it could be you."

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  • 1. At 10:07am on 02 Dec 2008, AspieBoy wrote:

    Why is this Alfred thing only open to Northerners? Seems a bit discriminatory.

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  • 2. At 10:33am on 02 Dec 2008, i_amMisterP wrote:

    Is North Norfolk considered Northern. If I walk out of my house and walk northwards for longer than three minutes I am up to my neck in the North Sea?

    Does this count?

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  • 3. At 11:39am on 02 Dec 2008, AspieBoy wrote:

    "If I walk out of my house and walk northwards for longer than three minutes I am up to my neck in the North Sea"

    Don't do a Virginia Woolf, Mister P! Things will pick up for you soon. I can feel it in my bones. :)

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  • 4. At 12:07pm on 02 Dec 2008, Piers wrote:

    Aspie: Alfred Bradley lived and worked in the North. So it's an award for people in the North.

    There's plenty of other awards which don't let people from the North enter, so it all works out in the end. Even as we speak, people from the North aren't allowed to enter Script in Hand, for example, which is only for people living in the South West.

    MisterP: I've checked the terms and conditions, and it appears Norfolk isn't considered the North. Even if you walk into the North Sea. Sorry.

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  • 5. At 12:13pm on 02 Dec 2008, AspieBoy wrote:

    @Piers

    I live in the Midlands. Any chance of a competition just for us?

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  • 6. At 12:51pm on 02 Dec 2008, i_amMisterP wrote:

    Don't worry AspieBoy - Stones in the road... none in my pockets.

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  • 7. At 1:39pm on 02 Dec 2008, Piers wrote:

    Aspie: Actually, you just missed one; Script Games was only open to writers in the West Midlands, and closed on the 24th of October.

    I'm not aware of any that are running at the moment, but I'll let you know when I see them.

    While we're talking about opportunities though, I don't know how many of you use this already, but you can get notifications of all the competitions and opportunities we hear about by using our RSS feed.

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  • 8. At 1:45pm on 02 Dec 2008, Antoniablue wrote:

    Thanks for posting Jeremy's thoughts. I'll enjoy the research as well as the writing!

    Antonia

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  • 9. At 1:49pm on 02 Dec 2008, mrs_mourinho_i_wish wrote:

    @Piers

    I live south London way but north of the river. Does that count or should I get Mr M to go to Newcastle and we could buy a little bijou terraced house in South Shields or similar?

    Mrs M

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  • 10. At 2:13pm on 02 Dec 2008, AspieBoy wrote:

    @Piers

    It does seem to me that there's a definite bias towards London, the North and Manchester when it comes to opportunities. I'd much rather every competition or scheme was open entry to everybody in the country.

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  • 11. At 3:06pm on 02 Dec 2008, Antoniablue wrote:

    But it's great for you southerners when it's a comp JUST for writers down south. Bet you don't say anything about it being unfair then??

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  • 12. At 3:12pm on 02 Dec 2008, i_amMisterP wrote:

    'The other great thing about the award is that it continues Alfred Bradley's fantastic legacy by developing Northern voices'

    I think what you are saying is far more important than what accent you are saying it in.


    :)

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  • 13. At 3:21pm on 02 Dec 2008, AspieBoy wrote:

    @Antoniablue

    I'm located in the Midlands. Which is enough of a burden to bear, without the BBC's rampant anti-Black Country bias! :)

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  • 14. At 3:26pm on 02 Dec 2008, Doctorfrankenstein wrote:

    There are plenty of opportunities, contests and schemes for the individual regions of the Uk, you just need to look for them, be they television, radio, film, theatre, literature etc - Just check out arts councils, film funds etc; sign up to the newsletters - The Writersroom is just the tip of the iceberg, with an obvious bias towards schemes that produce output for the BBC - Check out the CH4 website (sorry to advertise your rivals) that is very cross-media -
    I'm not familiar with Alfred Bradley's body of work but it is clear that in THIS CASE it is for promoting radio writing from the North - maybe he set up the scheme himself or it was in his will, I don't know; sometimes schemes/competitons are open entry, sometimes for a specific group

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  • 15. At 3:28pm on 02 Dec 2008, AspieBoy wrote:

    @Doctorfrankenstein

    Just to play devil's advocate, maybe we should have some schemes only open to whites? Or men only? Or the able-bodied?

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  • 16. At 3:31pm on 02 Dec 2008, Antoniablue wrote:

    I'd agree with Doctor. There are so many plays, tv and radio opportunities, placements etc, whether you're based in the north, midlands or south. Just Google them and you'll come up with lots.

    Also, most of the BBC opportunities, and other opportunities are inclusive.

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  • 17. At 3:33pm on 02 Dec 2008, Antoniablue wrote:

    Well, that's getting a bit political, Aspie. I mean, the reason they have separate opps for, say black people, is that they ARE under-represented. In an ideal world...

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  • 18. At 11:10pm on 02 Dec 2008, i_amMisterP wrote:

    Antonia are you saying opps for black people should be there so they can write about black people who are under-represented or can they write about white people too, not sure what the point you are making is?

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  • 19. At 00:16am on 03 Dec 2008, Antoniablue wrote:

    MisterP, I was just saying that black people are a minority group, so it's right that minority groups have these occasional opportunities, and should be able to write about anything they choose.


    As I said, there are loads of opps for all if you look for them.

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  • 20. At 11:29am on 03 Dec 2008, AspieBoy wrote:

    @Antonia

    The trouble with your argument is that it begs the question why do some underepresented groups get schemes while others are ignored. Are they intrinsically better than some minorities? How about some schemes for manic depressives or albinos or common people with ASBO's against them?

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  • 21. At 1:44pm on 03 Dec 2008, Antoniablue wrote:

    Well, Aspie, this is a discussion that could take forever, Aspie, and I'm here to write and learn more about writing. I will say that no matter what any organisation does, they won't please all of the people all of the time.

    I think all of these arguments would be better off being aired on a message board somewhere, or in a group that deals with these issues. You'll find loads on the internet, I'm sure.

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  • 22. At 1:55pm on 03 Dec 2008, i_amMisterP wrote:

    I wonder if there are statistics that show that black people are under-represented as writers? That is to say of the entire population of white people a certain amount are writers but that percentage is lower amongst the black community as a percentage? It may well be true but it seems a worrying thought if people just assume that to be the case.

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  • 23. At 2:05pm on 03 Dec 2008, AspieBoy wrote:

    Personally, I think writing is one area where colour or religion is not a barrier. When you see the writers name in the credits you don't know what colour he/she is. The same goes when a producer recieves a script.

    Also, the media is far more liberal than other industries, so I wouldn't imagine you get much problem with people not wanting to work with somebody because they're black etc.,.

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  • 24. At 3:15pm on 03 Dec 2008, Piers wrote:

    As a matter of fact, the UK Film Council did some research on this last year.

    98% of UK Film writers are white.
    82.5% of UK Film writers are male.

    Data and methodology.

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  • 25. At 3:29pm on 03 Dec 2008, Antoniablue wrote:

    http://www.guardian.co.uk/stage/2008/mar/06/theatre2

    Above, gives a bit of an idea into part of the issue, though it's much more complex than this, I think.

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  • 26. At 3:58pm on 03 Dec 2008, i_amMisterP wrote:

    it's an interesting article.

    'As Kwei-Armah pointed out last week at a discussion on the future of black playwriting organised by Talawa, an assumption persists that "black writing is somehow local, while white writing is universal". "It's patronising and segregating," says playwright Trish Cooke. "A good story is something that people can share and relate to, and those stories don't have colour." As Levi David Addai says, "I write about life. Characters and themes from black culture will slip into my work because that's part of me as an artist. But I write about human beings, and every human being is welcome to listen."

    This particularly addresses the point I was raising. That there is a difference between under-representation of black writers and an under representation of black performers, directors and issues etc.
    I don't know if there is a proportional under representation of black writers in the arts generally - but assuming there might be is kind of segregating them as writers. Art is all about integration not segregation.

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  • 27. At 4:46pm on 03 Dec 2008, Antoniablue wrote:

    I think it's also about an individual's life experience, too, which if you're in a minority, can knock your confidence and overshadow your perception of what you COULD do.

    I would put writers in the same bracket as performers. It's all art related.


    Here the argument rages on:


    http://www.asiansinmedia.org/news/article.php/publishing/1767

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  • 28. At 4:56pm on 03 Dec 2008, i_amMisterP wrote:

    Crikey they seem to be saying what I was saying but a tad more eloquently, and with some sort of basis of research rather than my shirt sleeve take.

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  • 29. At 9:07pm on 03 Dec 2008, science_world wrote:

    I always get confused when comps say they are open to people from the North. What North are they talking about? North England, North Scotland, North Britain?
    I mean I'm from South Scotland but North Britain obviously does that count in these North comps or are they only for England?
    If i'm living in North England for the time being does that count.

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  • 30. At 11:08pm on 03 Dec 2008, i_amMisterP wrote:

    @science-world

    I have checked the terms and conditions and apparently there is a metaphorical UK Mason and Dixie line here. If you are on the borders the acid test is... if you cook a Yorkshire pudding in one tin you can be classed as Northern, if you cook them in individual muffin style tins you are classified as Southern.

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  • 31. At 10:36am on 04 Dec 2008, AspieBoy wrote:

    Do they actually want Northern themed plays as well? About pigeons and grimness?

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  • 32. At 4:49pm on 04 Dec 2008, delilahtyler79 wrote:

    At the Masterclass in Newcastle last night, Katherine and Charlotte mentioned that while it wasn't an absolute requirement that your entry should be set in/about the North, it may be helpful in terms of winning the commission - as the award is about highlighting 'Northern voices'.

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  • 33. At 4:52pm on 04 Dec 2008, delilahtyler79 wrote:

    They also mentioned that happy/uplifting endings are in favour at the moment so grimness probably a 'no'. But pigeons are okay. As long as they don't talk - talking animals are NOT popular right now, apparently!

    ;)

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  • 34. At 7:32pm on 04 Dec 2008, Antoniablue wrote:

    Aspie, careful not to stereotype. I mean, we don't really believe down South is as grim as Enders makes out, do we?

    I like grim anyway, especially with a bit of humour in there!

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  • 35. At 12:28pm on 05 Dec 2008, mrs_mourinho_i_wish wrote:

    @delilah

    'the award is about highlighting Northern voices.'

    I'm still struggling to grasp this. Surely the Northern voice is the same as any other? ie same issues, same anxieties, same fears and frustrations that anyone from any region faces? But with a northern accent...

    Just a thought.

    Mrs M

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  • 36. At 4:31pm on 05 Dec 2008, delilahtyler79 wrote:

    hi mrs m

    it is arbitrary to draw a line around a region and say 'everyone in here speaks with the same special voice' - of course that isn't true, and of course i would agree that we're all human beings at the end of the day and share certain universal concerns, regardless of where we live and who we are.

    but i would say that regions have their own unique identities - don't you think? the ways that the people of a region choose to respond to those issues, how those choices impact upon that region's communities - communities which are all built upon very different industrial heritage, landscapes, history, local myth and legend, etc etc. if identical 'big events' were to happen in both newcastle and birmingham, i am sure that people would tell each other the story in different ways - and not just in a different accent.

    delilah :)








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  • 37. At 2:09pm on 30 Apr 2009, aquaticFreddyG wrote:

    Has the shortlist for the 2009 award been announced yet?

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  • 38. At 1:10pm on 04 May 2009, lorddaffyduck wrote:

    if the shortlist is out why arn't we told on the homepage??? please put us out of our misery! the homepage still advertises the comedy college. please show us some consideration and keep us informed as it happens. a simple sentance will suffice, dear writers the shortlist for the alfred bradley as been sent out.

    thanks.

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  • 39. At 10:16am on 05 May 2009, seawaveshush wrote:

    So....? Is the short list out? And where is it to be found?

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