Wednesday 7 August 2013, 10:05
I went to see the screening of The Field Of Blood series one at a cinema in Glasgow full of trepidation.
Firstly, the cast and crew would be there with the producer and a lot of people who had come to be friends of mine.
Secondly, I had seen nothing. No rushes, no dailies, nothing. I had not one clue what it would be like.
The poetic, lyrical descriptions are gone. Worse than that, actors are speaking the dialogue you’ve written and it suddenly seems lumpen and unnatural.
It’s a long process and a lot can go wrong. So hating adaptations is de rigueur among writers.
Let the cheque clear and then generate publicity by denouncing the film with the added bonus of an implication that you’d have done a better job if they’d let you write it.
Anyway, sitting in the cinema with eyes boring into the back of my head I forgot I’d written the book.
When I came out someone asked me about the changes, were they ok? And I hadn’t noticed any.
In fairness the day after I handed the book in I went into hospital and had my first child so the details of the plot weren’t exactly at the forefront of my mind.
Now, the second series of The Field Of Blood, I was ready for this one. I had a snooty face, pinched mouth and sat down to watch.
The 80s were a dark time with nasty, fearsome undercurrents, but it was an inkling, a suspicion. What Kane has managed to do in his adaptation is bring that sense of truly ominous threat and explain why journalists allowed that to happen.
They were worried about their jobs. A commonplace explanation for a major breach in our civic defences against the state.
I had just seen it and met Iain Banks and told him it was better than the book.
“Hmm,” he said, “Yes, that happened to me once. It’s a mixed blessing. People go off and buy the book afterwards and then write to complain.”
I have a standard form letter of apology ready on my desk.
More on The Field Of Blood
Inside Media Track: Exclusive Interview: ‘Field Of Blood’ star Jayd Johnson on series 2
BBC: Denise Mina talks about the character Paddy Meehan
BBC: Watch Denise Mina and Jayd Johnson discuss the adaptation
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