Wednesday 23 June 2010, 12:32
I stick to a routine when it comes to writing. I can't write in a café or a park. I get to my desk around nine and set myself a target for the number of pages to get done in a day.
At the place where I work they take the mickey out of me for always making coffee at exactly 11 o'clock. It's like a promise to myself - get those pages down and There Will Be Caffeine.
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Writing Lennon Naked took a long time. I worked very closely with the director, Ed Coulthard, for a good two years before filming started.
We'd wanted to work on something together for quite a while and were both interested in John Lennon, particularly the period around the time of his famous interview with Jann Wenner for Rolling Stone magazine in 1970.
It seemed to us that the song Imagine had come to define the mercurial Lennon in a way he would have found confining. This film shows a different side to the man.
In terms of capturing how John spoke, I watched the Beatles films and listened to dozens of hours of interviews on YouTube - and I read everything I could both by and about him.
After a while, I felt I had a grasp of how he turned a phrase. Of course, he was famously witty, so it's a challenge.
My favourite line got edited out when we changed the structure of the opening. I'd had the American psychotherapist Art Janov saying, "Do you feel a lot of pain, John?" John replied, "I felt a lot of pain when I realised what it was going to cost me to fly you over from California."
I can still hear Christopher Eccleston saying it. He captured brilliantly the way Lennon loved to undercut pomposity. In fact, he captured Lennon full stop.
His performance is immense - he's in every scene. When I heard he'd read the script and was keen to do it, I knew we were moving into another league.
The key characters featured in the film were contacted by the production company, Blast, but I didn't interview them before writing.
From everything I'd read, I got the strong sense that those who knew John best had very different and often contradictory ideas about what he was like and what made him tick.
Rather than adopt any individual's take on him, I just absorbed everything I could and then made up my own mind. I stuck to the facts of his life but obviously what you see is an interpretation - mine, the director's and Christopher Eccleston's.
The film was shot on a low budget in a short time. I'm amazed by the amount of work that everyone involved in it was prepared to contribute, both cast and crew. They made every penny and every minute count.
I hope they're as proud of this film as I am. It'd be great to hear what you think of it too.
Robert Jones is the writer of Lennon Naked.
Lennon Naked will be shown on BBC Four at 9.30pm on Wednesday, 23 June.
All posts are reactively-moderated and must obey the house rules.
Tuesday 22 June 2010, 12:48
Friday 25 June 2010, 14:12
Comment number 1.
roger long24th June 2010 - 0:41
Where was Lennons wit?
Why are these BBC bios so joyless and bleak?
Sellers, Kenneth Williams, John Winstone Lennon all monsters?
Give us a break, these characters were shining beacons in a sea of mediochrity.
Ecclestone did a great job and was truely immersed in the difficult role.
It should have stayed monochrome, that would have defined it better with the stock footage, and more real film press conferences should have been used, for their real wit and tone.
Budget as ever minimal, the magic was never made for me by the smoke and mirrors.
It didn't get it right.
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Comment number 2.
Mietek Padowicz24th June 2010 - 4:48
This comment was removed because the moderators found it broke the house rules. Explain.
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Comment number 3.
Wavona24th June 2010 - 14:22
I totally agree with Roger's comments. This was by far the worst programme ever made on him. Where was Lennon's wit, compassion and warmth? This was a one-dimensional Lennon who appeared to be cruel and belittling without reason, who disliked his wife for no reason and who fell for Yoko Ono for no reason. There were factual errors throughout that were too awful to leave to the writer's creative freedom (John joking openly about Brian Epstein's homosexuality in 1964? I doubt it somehow. John loved Brian and would never have put him in danger, since homosexuality was illegal then. I would loved to have attended that press conference in 1968, if it had taken place! The Beatles never held a press conference when they returned from India, because they did not return together from India. Ringo left first, followed by Paul. Pete Shotton was not at John's house when Yoko came over to make 'Two Virgins' - who were your sources?!?).
I am sure that Lennon didn't spend ALL of his time being miserable and moping around, and whilst he admitted he was not the best of fathers to Julian, his son from his first marriage, it is probable that he did not constantly ignore him or be openly distant with him.
There is a need for a balanced portrait, of course, but there was no balance here, and no insight. The BBC has missed a great opportunity to explore how Lennon's own childhood traumas had affected his relationships with his own father and his own son.
This programme was worthy of the worst output of the worst cable channel; I expect more from the BBC.
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Comment number 4.
StourBlue24th June 2010 - 15:00
Please do stop whining roger long. As the writer has said, it is his take on Lennon. I think your problem is that you have Lennon on a pedestal; he wasn't a cuddly bloke, he could be vicious, hurt those around him and did not suffer fools gladly. So in all likelihood, regardless of his undoubted genius, there were many 'joyless' moments.
Oh, and it's Winston...
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Comment number 5.
Ceri Meyrick24th June 2010 - 15:57
I loved it Robert - well done
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Comments 5 of 18