Raw emotion of dolphin kills
At the International Whaling Commission annual meeting in Madeira:
On Thursday night, while IWC delegates and officials were having a much-needed drink or seven in the bar after the meeting closed (some of them have been corralled here for four weeks), I had a sneak preview of the latest weapon in the war of emotions over whales and dolphins.
The makers of The Cove set out to lay bare the dolphin hunt of Taiji, a small town on Japan's south-east coast.
The hunt - in which boats drive dolphins into a bay, where they're penned in and many of them later killed - has long been a major issue for some animal welfare activists.
With this film this group wants - quite overtly - to end the hunt.
To circumvent the fences and barriers blocking access to the eponymous cove, the film-makers used techniques worthy of long-term anti-whaling campaigner Pierce Brosnan in his 007 guise - running over town in the dead of night in camouflage, hiding cameras in fake rocks, and gaining the assistance of champion free-divers who can hold their breath longer than most of us can imagine.
So we are led by the hand around into the concealed cove where the dolphins are killed - 23,000 per year, if the film-makers' statistics are correct - where we see hunters stabbing the animals to death with spears, half-dead dolphins swimming crazed across the bay with flesh trailing where flesh is not meant to be, and the waters running red with dolphin blood.
Revealingly, we also see that for the hunters, this is normal life. We hear them chatting on the beach before the killing begins; we even see one of them relaxing with cigarette in hand, leaning back against a dead dolphin on a boat's deck.
The Cove makes a health-based case against eating dolphin meat on the grounds that their flesh contains dangerous levels of mercury. It will also make difficult viewing for anyone who has gazed enraptured at the feats of captive dolphins in pleasure parks; according to the film-makers, the majority of those animals are extracted from their home environment right there in Taiji.
It also makes an emotive case against the IWC, with the film's central figure, former dolphin trainer Ric O'Barry, and Sea Shepherd chief Paul Watson denouncing the organisation as toothless and ineffective, and images from IWC meetings that would make you think they are all about insensitive Japanese delegates falling asleep, Caribbean leaders with bigger mouths than consciences, and hand-wringing do-gooders without the cojones to follow through on their public utterances.
If you have spent any time with the issue, you won't agree with everything in The Cove - just as anyone with a working knowledge of climate change will find things to dispute in An Inconvenient Truth.
But that isn't the point. In the West at least - and the movie has its US release next month, with the European debut to follow - whales and whaling and dolphin watching and dolphin killing are principally issues of emotion, not of reason.
Through visually linking the dolphin hunt of Taiji with the body that in principle regulates whale hunting, The Cove may well add to western public pressure on Japan over the issue.
Is that fair? Many in the environment field would dispute the film's interpretation of the IWC. One long-term delegate, who works on many other conservation issues as well, told me that in his experience the organisation has been more successful than any other international conservation forum.
But those environmentalists who disapprove of the current "peace talks" in the IWC and instead recommend the maintenance of all-out, full-frontal attack on whaling nations will find The Cove to their taste.
Whether its images do help their cause - and after all, there have been years of graphic whale-killing footage from Greenpeace and Sea Shepherd expeditions in the Southern Ocean - is another matter.
The reason some environmental groups endorse the peace process is precisely because they don't believe the full-frontal attack will ever work.
Some are even prepared to go as far as outgoing IWC chairman Dr William Hogarth, who - five minutes after closing the final meeting of his tenure - told me that in his view, the outlook for whales might well improve if the 1982 global moratorium on whale hunting were lifted, albeit under tight restrictions.
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The Cove or the chairman? War-war or jaw-jaw? Emotional appeal or politics?
We shall see. In the meantime, whatever its place in the bigger picture, The Cove is certainly worth a watch - but probably not just before dinner.












I'm Richard Black, environment correspondent for the BBC News website. This is my take on what's happening to our shared environment as the human population grows and our use of nature's resources increases.
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