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Tuesday 27 September 2011, 18:41

The Archers spin-off Ambridge Extra returns for another series, starting Tuesday 4 October. Sara Conkey and Rosie Boulton share the production duties (they are not the young actors pictured above, by the way). They write about their steep learning curve.
When asked to join Ambridge Extra to produce the second series, we were excited and terrified in equal measure. We come from a documentary background, making factual programmes in our base in Birmingham. The world of The Archers, while just a few metres down the corridor, might as well have been in another universe.
We often see the actors chatting in the green room, but never thought that one day we would be part of Ambridge. We have both had experience making drama-documentaries over the years, but 26 episodes of a twice-weekly series was another thing altogether.
Having said that, we were excited to think of what we could bring to Ambridge, as well as daunted by all we would have to learn.
The first script meeting we attended was a revelation. Eight episodes are story-lined in one intense day. The depth of knowledge of characters and inventive versatility of the writers and the editor, Vanessa Whitburn, are impressive. We were busy swotting up on our Who's Who in The Archers.
Although the main Archers programme has storylines planned for sometimes years in advance, Ambridge Extra is much more on the hoof. It makes for dynamic and very vocal script meetings, where ideas are thrashed out, wrestled with and sometimes thrown out in a short space of time.
Another surprise was the sheer speed of how the drama is recorded. In the case of Ambridge Extra, we have two hours to record 13 and a half minutes of drama. With a drama-documentary, we could take two days to record 20 minutes of drama. So an Ambridge Extra studio feels like it goes at the speed of light.
Sizzling stories
Having said that, the Ambridge family is hugely welcoming and supportive; the writers are talented and the storylines for the second series are sizzling. We hope that listeners can enjoy hearing some silent characters for the first time, and also see favourite characters being tested in ways they never have been before.
The well-oiled machine of the production process is so smooth we can just fit right in. The only problem is carrying the heavy responsibility of keeping such great storylines secret. Friends and family are suddenly far more interested in what we do!
Rosie Boulton and Sara Conkey are distinguished radio producers, mainly for BBC Radio 4.
Among numerous awards, Sara received Sony Golds for Between Ourselves and Stuck In the Middle; a Silver for Between Ourselves; and a Bronze for the Radio 3 drama-documentary A Love Song To The Buses.
Rosie won a Sony Gold for The Club that Scott Built; and a Gold and a Silver Prix Marulic (with Peter Wild) for drama documentaries In Form and The Language of Flowers. Her production of Soul Music (on Tallis's Spem in Allium) won a Jerusalem Award.
They were jointly nominated for the Prix Italia for a drama documentary Signs of Life.
All posts are reactively-moderated and must obey the house rules.
Wednesday 21 September 2011, 13:14
Tuesday 4 October 2011, 15:18
Comment number 1.
Sturmey Archer2nd October 2011 - 6:11
God forbid that there will be more of this twaddle which has become known as AmExLax! Just when you think it can't get much worse…
…it does!!! CLICK!
- sa
Link to this (Comment number 1)
Comment number 2.
wynkyn de worde2nd October 2011 - 13:31
Dear Script Writers,
Can you please get The Archers right? Your fond belief that you can refresh the audiance by appealing to da yoof is rediculous. Da yoof do not do radio
This AX nonesence is just an irritant and a distraction. You are just peeing-off your loyal and ageing listeners.
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Comment number 3.
A Bowman2nd October 2011 - 13:55
There is still a lot of work to do in mending the broken proper Archers without foisting this utter rubbish upon us.
Link to this (Comment number 3)
Comment number 4.
cath2nd October 2011 - 15:55
I know it's a bit unfair to be raining on the enthusiastic parade of the new producers but I couldn't help laughing at this:
"The depth of knowledge of characters and inventive versatility of the writers and the editor, Vanessa Whitburn, are impressive."
The unbelievable continuity errors thread on DTA maybe gives a flavour.
http://www.bbc.co.uk/dna/mbarchers/NF2693940?thread=8272673
But I am interested that this 2nd series is being produced differently from the first, a possible sign of problems with that 1st series which will never be publicly admitted.
Link to this (Comment number 4)
Comment number 5.
JoLean2nd October 2011 - 17:55
Gawd, Ambridge Extra had some good things in it: the Jamie stuff was great, I thought and I liked the Alice stuff (although I do agree that it wasn't true that it had no crossover with the main series. You did need to know this stuff to understand the motives in the main show).
Just felt I should put some balance in the comments! I liked some of the stuff in it, didn't like other bits. Just like every other radio show. Although I do have a bias against Bellowhead, but there we are.
PS That Soul Music on Spem in Alium produced by Ms Boulton was an AMAZING piece of radio.
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Comments 5 of 12