Auntie, by Grayson Perry.
Mr Perry, best known for his pots and picking up the 2003 Turner Prize while dressed as his alter ego Claire, is due to be live at the Frieze Art Fair in Regent's Park with Nigel Wrench later. In the meantime, here's part of his latest work, The Walthamstow Tapestry, 15 metres long and on display at the Victoria Miro Gallery in London.
Nigel writes: "At Frieze, now one of the world's biggest art fairs, I'll be asking whether anyone really owns an artwork. Is the film director Lord Attenborough right? He told The Times when announcing the sale of 50 works from his art collection: 'In all truth, art belongs to no-one, some of us are simply its temporary, fortunate custodians'. And: who is buying art in a recession? Anyone?"


~RS~q~RS~~RS~z~RS~32~RS~)
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'In all truth, art belongs to no-one, some of us are simply its temporary, fortunate custodians'.
Are we referring to art the concept, or art objects? In the latter case, of course it can be owned, in the sense of an individual exercising control over the object. For example, if I acquire an art object and then destroy it...
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I've been trying to think of a suave segue into Damien Hirst's new exhibition, but have given up.
Hirst reminds me of the two swindlers in the Hans Anderson fairytale 'The Emperor's New Clothes', and the only way he pushes the boundaries is by seeing how much dross he can produce and still con people into calling it art. Dead animals, sliced dead animals, spots painted by other people - it's all lapped up (to the tune of £111 million in the 2008 auction of his 'work' at Sotheby's last year). His new stunt - I mean exhibition - of paint daubs looks like a very poor and repetitive GCSE project.
What has he ever produced that is of aesthetic value? Seriously. /rant
In an attempt to crowbar this post back on topic: October 14th - Battle of Hastings - Bayeux Tapestry - Art.
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Art, or fart? As Fyfe Robertson liked to say.
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Helena-Handbasket - Yep!
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Fyfe Robertson used to say 'phart' (phoney art).
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Fyfe Robertson used to say 'phart' (phoney art).
Ah! I stand corrected. That will be why it doesn't show up in a web search, then.
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Over the recent decades I have been wondering why art (including poetry) seems to be used mainly as a vehicle for the expression of miserable, rude or puerile emotions. There seems to be nothing much around that displays real talent. Amateurs seem to be much better in this, these days.
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Call that art why *I/my kids/my pet monkey* could have done that.
*delete where appropiate*
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Nice bag.
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"...art belongs to no-one, some of us are simply its temporary, fortunate custodians"
The same principle applies to many things in life, including the listed buildings, the land, and the world in general. It's something that we all need to remember.
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Grayson Perry:
http://airstripone.files.wordpress.com/2008/06/claire.jpg
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He is an artist like Hirst, Tracy Emin, Chris Ofili, Antony Gormley, Rachel Whiteread, the Chapman brothers, and other con artists. Some people here do Glass Boxes that are just as good, and free.
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Sue (9) - That's no way to refer to an old lady!
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BS 10, You sound like a man...
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Agree with Helena and Big Sis.
Preston: *tee hee*
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Re: Bayeux Tapestry:
Well observed, Helena. And isn't that piece (work of art, wotevva) by Grayson Perry a tapestry? He's moved on to doing them.
Someone's being clever!
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The difference between good art and (say) a sofa from D.F.S. costing perhaps the same amount is that with good art, there is an idea. With really great art there is an original idea and some of the best of those original ideas challenge many assumptions that we make about everyday life, many of which some people seem to waste vast amounts of time defending against intellectual attack (I think this has something to do with Marx's 'false consciousness).
Anyone who thinks good art is pretty pictures that match the curtains really needs to try harder.
Nicholas Serotta described Damian Hirst's "For the Love of God" as "the first masterpiece of the 21st Century". Based on the above, this is likely to be true.
Good art is not just 'a matter of opinion'. This is a post-modern anti-intellectual idea which belongs in the same dustbin as the claim that all opinions are equally valid. It should be obvious that they are not.
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Regarding Attenborough's remark, it's probably truer with art than with most other things. If good art is an idea made into an object, then no matter how hard the owner tries or how much they pay, they cannot own the idea once it is in the public domain. This goes to the root of cultural development in societies in that what moves society on is ideas and the association of ideas. If art does nothing else, it does this. How particular works might appear as an object to individual tastes is irrelevant.
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I wonder, though, if this doesn't raise the issue of plagiarism? Or at least muddy the waters around it a bit.
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JW (18) You are, of course, quite right in that respect - but I suppose we could also say this of, for example, scientific invention. However, I suppose in the case I cite, the 'author' of the idea is likely to keep reaping some reward for their idea (provided, of course, it was patented by them, and there have, as we know, been notable exceptions).
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I always figure that if I could do it, it ain't art.
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I always figure that if you could do it, it's probably phart.
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Sid 22, Very nice. I'm reporting you to Cleggy for using rough language.
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Sid 22, I've seen your Lib Dem site. Not exactly a work of art.
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