Looking at the few lines revealed on the iPM site, it strikes me that the poem isn't glorifying such crime, but attempting to enter into the perpetrator's mindset, and this (I believe) is not only an appropriate thing to study in the literary context, but is one of the key elements of good creative writing.
When does thought and proper discussion restart in Great Britain Eddie?
Everything is judge for its negative value - rather than thought provoking. Dame helen Mirren yesterday, the sailors in the picture or the poem.
Perhaps you are too young to recall the days we were all told to chew every mouthful of food so many times before swallowing it - to help digestion presumably.
Before wisdom - I did as I was told until I realised - hey some foods only need so many jaw movements before sliding down there.
Beef steak maybe but Ian Hislop-like "Say I am a banana" lol
I suppose they've really taken it out in case some youth, having committed a knife crime, might say in excuse "but I read about it in that Carol-Ann Duffy poem for GCSE. It made me do it. I blame the education system. It's not my fault."
Because of course, most youths committing knife crime will have paid close attention to their English studies for GCSE, and will be able to recall relevant verses and author, and very likely provide a detailed critique of the work and its sub-texts.
At least, that is presumably what the authorities who have pulped the anthology fear.
And then the bullhorn crackles And the captain crackles With the problems and the how's and why's And he can see no reasons Cos there are no reasons What reason do you need to die
Eddie: I realise there may be copyright issues with this, but don't you think it will be helpful if the whole poem can be available?
I've been 'searching' and it isn't easy to find the complete text online (though I confess I did eventually track it down).
Having read it all, I can see it is both bleak and compelling, and a poem which would provoke immense (and productive) discussion in a classroom of adolescents. It is a very great pity that it's been withdrawn.
Having read the few lines supplied, I can see that the publishers have made a decision on the side of caution and I think it is probably wise.
The problem of knife crime including the difficult job schools have in detecting knives brought into schools by students is so relevant today.Any possibility that the poem might be misinterpreted by just one youngster should, I feel, be avoided.
Obviously, not all schools are equally affected by this problem. It would be interesting to hear how teachers would feel about teaching around such an issue in a Literature syllabus .
I'm with Big Sis on this one. It seems to me that issues like those addressed in this poem (alienation, powerlessness, delusion) can be discussed or ignored. If we ignore them, will they go away? If we discuss them will they go away? I'd have thought that a potential protagonist in a poem like this would more likely be able to take control of his/her life if they have been able to explore these issues under adult guidance.
We have a long history in this country of thinking that if we don't talk about things, they'll go away. Which is why we have the highest teenage pregnancy rate in Europe. Why don't we talk about knife crime and sex in schools? Because talking about it might make people go and do it. The fact that the evidence points the other way we discard.
Molly, if you read the whole poem, it is about a lot more than knife crime. It is about a solitary individual who is on the dole, who feels ignored, and who wants to play God. It isn't about the gang culture at all. It's about mindless killing by somebody whose state of mind is clearly very disturbed.
I'm looking forward to iPM for once, and am expecting all contributions to be marked and graded - from A*
"Candidates respond cogently to texts, giving sustained evidence of enthusiastic personal response and insight through the range of sophisticated interpretations supported by concise textual analysis and empathic understanding. Responses show flair and originality in communicating ideas through a range of appropriate forms. They show originality of analysis and interpretation when evaluating the social and historical settings of texts, their cultural contexts or the literary traditions on which they draw."
to Unclassified
"Candidates refer to the basic content of texts simply but with some understanding"
(from AQA English Literature Specification A 2008, Coursework Mark Scheme)
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Looking at the few lines revealed on the iPM site, it strikes me that the poem isn't glorifying such crime, but attempting to enter into the perpetrator's mindset, and this (I believe) is not only an appropriate thing to study in the literary context, but is one of the key elements of good creative writing.
It will be interesting to read what others think.
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When does thought and proper discussion restart in Great Britain Eddie?
Everything is judge for its negative value - rather than thought provoking. Dame helen Mirren yesterday, the sailors in the picture or the poem.
Perhaps you are too young to recall the days we were all told to chew every mouthful of food so many times before swallowing it - to help digestion presumably.
Before wisdom - I did as I was told until I realised - hey some foods only need so many jaw movements before sliding down there.
Beef steak maybe but Ian Hislop-like "Say I am a banana" lol
Complain about this comment
I suppose they've really taken it out in case some youth, having committed a knife crime, might say in excuse "but I read about it in that Carol-Ann Duffy poem for GCSE. It made me do it. I blame the education system. It's not my fault."
Because of course, most youths committing knife crime will have paid close attention to their English studies for GCSE, and will be able to recall relevant verses and author, and very likely provide a detailed critique of the work and its sub-texts.
At least, that is presumably what the authorities who have pulped the anthology fear.
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I have found these study notes about the poem, which might interest others:
http://www.eriding.net/amoore/anthology/carolannduffy.htm#educationforleisure
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And then the bullhorn crackles
And the captain crackles
With the problems and the how's and why's
And he can see no reasons
Cos there are no reasons
What reason do you need to die
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Eddie: I realise there may be copyright issues with this, but don't you think it will be helpful if the whole poem can be available?
I've been 'searching' and it isn't easy to find the complete text online (though I confess I did eventually track it down).
Having read it all, I can see it is both bleak and compelling, and a poem which would provoke immense (and productive) discussion in a classroom of adolescents. It is a very great pity that it's been withdrawn.
Complain about this comment
Having read the few lines supplied, I can see that the publishers have made a decision on the side of caution and I think it is probably wise.
The problem of knife crime including the difficult job schools have in detecting knives brought into schools by students is so relevant today.Any possibility that the poem might be misinterpreted by just one youngster should, I feel, be avoided.
Obviously, not all schools are equally affected by this problem. It would be interesting to hear how teachers would feel about teaching around such an issue in a Literature syllabus .
Complain about this comment
I'm with Big Sis on this one. It seems to me that issues like those addressed in this poem (alienation, powerlessness, delusion) can be discussed or ignored. If we ignore them, will they go away? If we discuss them will they go away? I'd have thought that a potential protagonist in a poem like this would more likely be able to take control of his/her life if they have been able to explore these issues under adult guidance.
We have a long history in this country of thinking that if we don't talk about things, they'll go away. Which is why we have the highest teenage pregnancy rate in Europe. Why don't we talk about knife crime and sex in schools? Because talking about it might make people go and do it. The fact that the evidence points the other way we discard.
Complain about this comment
Molly, if you read the whole poem, it is about a lot more than knife crime. It is about a solitary individual who is on the dole, who feels ignored, and who wants to play God. It isn't about the gang culture at all. It's about mindless killing by somebody whose state of mind is clearly very disturbed.
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I think it is vital that this sort of work is discussed in the classroom TO avoid the topics in the poem NOT being confronted face on.
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Does this question deserve to be axed?
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Did your question deserve to be asked?
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TIH 12, Asked/axed, what's the difference?
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Big Sis (6) - valid point. We're working on it.
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If you search for "Today I am going to kill something. Anything." (with speech marks) you can find the complete text.
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To put it in context
From the AQA site exam question:
"Compare how death or the threat of death is presented in the poems you have studied.
Choose two poems from List A and two from List B.
List A List B
.Havisham. (Duffy) .On my first Sonne. (Jonson)
.Education for Leisure. (Duffy) .The Laboratory. (Browning)
.Hitcher. (Armitage) .The Man He Killed. (Hardy)
.November. (Armitage) .My Last Duchess. (Browning)
(36 marks)"
The response on You tube:
[Unsuitable/Broken URL removed by Moderator]
I think that says it all.
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Eddie-
On ''youtube'' there's a version of the complete poem...
Maybe you've seen it.
Mollyxx
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Does AQA have an incinerator?
I'm looking forward to iPM for once, and am expecting all contributions to be marked and graded - from A*
"Candidates respond cogently to texts, giving sustained evidence of enthusiastic personal response and insight through the range of sophisticated interpretations supported by concise textual analysis and empathic understanding. Responses show flair and originality in communicating ideas through a range of appropriate forms. They show originality of analysis and interpretation when evaluating the social and historical settings of texts, their cultural contexts or the literary traditions on which they draw."
to Unclassified
"Candidates refer to the basic content of texts simply but with some understanding"
(from AQA English Literature Specification A 2008, Coursework Mark Scheme)
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16 only showed a exam question from the AQA about death.
Then showed how it effects youngsters by a "tribute" to one of the other poems made on Youtube.
It was to show the context of this poem in relation to others that children are studying. There was nothing from me just quotes and references.
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I was referring to the poem "Hitcher" (Armitage).
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Interesting further developments:
http://www.guardian.co.uk/education/2008/sep/06/gcses.poetry.carol.ann.duffy
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