Writer report: TV Drama - The Writers' Festival 2011

Friday 8 July 2011, 16:04

Bill Grundy Bill Grundy

Hi, I'm Bill Grundy, winner of the 2011 BBC Future Talent Award for my screenplay Hefted, and lately the first Headspace Writer in Residence at MediaCity, Salford.

Having blagged myself into the 2nd Writers' Festival purely on the strength of a competition win, rather than any genuine broadcast credit, I confess I felt a bit of a fraud, rubbing shoulders as I was with some of the best scriptwriting talent in the country. But I needn't have worried. The Festival, ably hosted by Leeds College of Music and slickly run by the heroically hard-working Writersroom staff, did indeed boast a stellar line-up of speakers, but it never lost sight of its main purpose - to be a festival led by writers for writers - of whatever level of experience.

From the elegant yet rousing keynote speech from Paula Milne, through a lively debate on the political role of the TV writer, the event progressed at a blistering pace via a range of panels, workshops, masterclasses and Q&A sessions. After the first half-day, I already felt as if I'd been on some week-long residential course. There was a lot of good stuff to choose from, but highlights for me include John Yorke's exhilarating gallop through 2000 years of script analysis, from Horace to Blake Snyder - with the conclusion that all the gurus are basically peddling the same message. We have, Yorke argued, a biological need to impose order on reality, and, in fiction, that order takes pretty much the same shape in every generation and culture. I only wish he'd had a bit more time: mid-way, I gave up trying to take notes, and kicked myself for never having taken a Pitman's shorthand course.

I enjoyed Danny Brocklehurst and Nicola Shindler's self-effacing account of their writer/producer relationship in the making of the brilliant mini-series Exile, and was impressed by Hugo Blick's eloquent contributions to several sessions, not least his own, in which he gave a fascinating description of his role as writer/director/producer of The Shadow Line. By contrast, American writer Frank Spotnitz (X-Files, Millennium) gave interesting insights into the U.S. team-writing approach, which he's currently employing over here on a projected spy series.

And, although I've heard much the same from him on other occasions, Jimmy McGovern still managed to be hugely entertaining and inspiring. His stress on the importance of writers being passionate about their work was echoed again and again, in various ways, by speakers throughout the event: yes, study structure; yes, understand genre; yes, know your audience, but always, always write what you want to write - what you really care about and what moves you, personally. That's something I've begun to realise myself, as a mere wannabe, and it was heartening to have it confirmed by the most celebrated TV writers of our time. At the close of the final session, I heard someone behind me say "I enjoyed that. Now I'll have to go home and write." That's a pretty fair tribute to the Festival, I reckon.

Bill Grundy was the winner of the 2011 BBC Future Talent Award. Read his winning script, Hefted, in the BBC writersroom script archive.

Comments

Jump to comments pagination
 
  • rate this
    0

    Comment number 1.

    Hey, Bill. Good write-up of the festival. I found this festival to be the best one aimed at writers that I've attended; from the (limited) networking I did, I was enthused by the caliber of the other attendees. A genuinely enthralling and informative festival, both on the stage and off it. Looking forward to next year's already.

  • rate this
    0

    Comment number 2.

    Sadly, I missed out on this year's fest. Have the dates for next year's been decided yet?

  • Comment number 3.

    All this user's posts have been removed.Why?

  • rate this
    0

    Comment number 4.

    Hi Bill
    Congrats on your win. I was hoping to go to the writers festival, but disappointingly was passed over for tickets, as I don't have a professional writers credit. I find this rather disappointing, as I thought the point of the writers room was to encourage new writers, like yourself, rather than giving a further leg-up to already established writers. Things like John Yorke academy are great in theory, but new writers are alienated from entering which seems unfair. So much for the unearthing of new talent!

  • rate this
    0

    Comment number 5.

    Hi Rosie,
    Apparently, the dates for the next Writers' Festival haven't been fixed yet. Keep your eye on the Writersroom homepage. Good luck.

  • rate this
    0

    Comment number 6.

    Hi, souseattack. I agree, there should be more for non-credited writers, though it's slightly misleading to refer to writers with perhaps just one credit as 'established'. A few I met had hardly any more experience than I did. But just keep plugging away, is all I can say - our day will come!

 

This entry is now closed for comments

Share this page

More Posts

Previous
Get a Squiggle On: Top tips from CBeebies

Tuesday 28 June 2011, 12:13

Next
Get a Squiggle On: Jan Page and Mellie Buse

Friday 8 July 2011, 15:22

About this Blog

Behind-the-scenes insights from writers and producers on BBC TV and radio programmes.  

Get top tips on script writing and follow the journeys of writers who have come through BBC writersroom schemes and opportunities.

 

Blog Updates

Stay updated with the latest posts from the blog.

Subscribe using:

What are feeds?