Friday 23 September 2011, 14:45
What is the best way to recapture one's childhood?
My memory is notoriously selective and needs a prod if I am to venture off the well worn paths. Often that is provided by a smell. Whenever fresh tarmac is being laid on a road I linger half-intoxicated by the smell and the memory it evokes of my first day at school aged 4 and three quarters.
I even remember the precise point where the tarmac was being laid, the corner of Norfolk Road, Carlisle, in the year of our Lord 1951. An even more powerful stimulant is sound, which is why I found myself in tears this week in an industrial park in Perivale, Middlesex.
Where once the poets talked of flowing cornfields and John Betjeman lauded the Metro Line there is now the ever present smell of petrol fumes and the frequent noise of planes heading for Heathrow.
Across the Avenue, Perivale's 14th century wooden church, lying on a bank just above the River Brent, is a reminder of gentler days. In the nineteenth century its cemetery was a fashionable place for middle class Londoners to bring their loved ones to lie in rural seclusion.
The BBC's new archive centre is unlikely to win awards for architectural merit. Indeed to me it looks like an aircraft hanger, or a large shed. So why the tears?
Because inside is almost everything the BBC has ever broadcast including those programmes which lit up the rather grey 1950s, Hancock, Educating Archie, and a little later, Round the Horne, and to which I listened with my now dead parents.
Long-dead voices live here, together with those of present-day presenters like the author, whose early ventures into sound are worth forgetting.
At the archive I met Sarah Hayes, the BBC's controller of Information and Archive and Peter Skinner, the head of operations there. Typically I put my foot in it straight away by called their spanking new home a shed.
By the way in Feedback we also played some extracts from the archive including some of your requests. Here they are:
In case you did not recognise them, they were:
Roger Bolton presents Feedback
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