Innovative journalism thriving on transparency

Monday 3 February 2014, 11:25

Cathy Loughran Cathy Loughran is currently editing the College of Journalism blog

Glass house There’s an old adage that journalists who work in glass houses don’t take shortcuts with their stories. Well, maybe not - but that was certainly the message coming out of a discussion at City University London last week entitled New Ways of Doing Journalism.

The four panellists, Andrew Jaspan, Sarah Hartley, Luke Lewis and Anette Novak, were all genuine journalism pioneers. But if innovation was their game transparency - in one form or another - was their stated aim.

Take Jaspan, former editor of the Observer and founder and chief executive of high-brow website The Conversation which was piloted in the UK last summer, having started life in Australia two years ago. It’s one of those aspirational ideas that probably shouldn’t work but looks like it might. Unpaid academics write deep explanatory articles from within their field which are then knocked into shape by a few paid, professional editors.

With no advertising other than through social media, Jaspan says The Conversation has acquired 1.6 million unique users a month for its seriously serious content, and a stable of 9,500 contributors. An examination of the cosmic web, how to get ants to solve a chess problem, the musical legacy of Pete Seegar and whether there is still a sex bias in journalism are a taster menu of what’s on offer from the site’s ‘accredited’ authors.

And there’s the clue. Only vigorously vetted experts can join The Conversation, under its strict operating charter, says Jaspan. There is full disclosure of the writer’s credentials, contact details and any vested interests upfront, and they’re only allowed to write on their specialist subject. The venture also has an overseeing editorial board of academics.

For Caspan, whose website has already been a scourge to Australian politicians less wedded than he is to openness, ‘transparency, disclosure, credibility and expertise’ is a winning formula in the digital world: “The days of just asking people to trust your content are over.”

Contributoria Journalist and blogger Sarah Hartley, whose credits include, and the Guardian's N0tice start-up, is editor and co-founder (with the Guardian’s new digital business chief Matt McAlister) of brand new venture Contributoria. Backed by Guardian Media Group - a long-time champion of open journalism - it calls itself a collaborative, crowd-funded writing platform for journalists. The ‘community’ collaborates at every stage, Hartley told the audience. “You put your ideas directly to the community and if they like it they back it.” Everything in the open then.

Asked by session chairman George Brock to single out one factor that has changed things for journalists, Hartley unhesitatingly answered: “The way digital has allowed for transparency in the process.”

Journalist Anette Novak, ex-editor and chief executive of Sweden's experimental Interactive Institute, has history in the transparency stakes. She was editor-in-chief of the regional media house Norran which opened up its newsroom to readers through social media as far back as 2009 - with readers helping to produce news content.

She had some big ideas to share, including about big data: predicting a “war over who actually sits on the data” and advocating a society that “embraces transparency”. She explained: “I see us moving to an era where we all live in glass houses, especially journalists - a move from objectivity to credibility.”

Would journalists change the way they worked if they really had to work in glass houses, she mused, arguing: “We should show all our sources, show all our evidence. The public no longer buy our shortcuts.”

And so to Luke Lewis, former award-winning editor of and for the last year editor of the UK edition of To be fair, Lewis was more interested in making published stories transparent - especially the ones that don’t stack up. And he was pretty open about how he and his colleagues go about blowing fakes out of the water, with benefits.

Buzzfeed’s So, a Python Didn’t Actually Eat a Drunk Guy in India debunk took about five seconds using a Google reverse-image search, said Lewis, who recommended Topsy as another debunking aid.

Viral news stories need to be interrogated, he argued. No, Greater Manchester Police Haven’t Seized ‘the UK’s First 3-D Printed Gun put paid to a speculative story running in the Telegraph, Guardian, on Sky News and BBC Radio 4’s Today programme last October. It took BuzzFeed staffer Tom Phillips about half an hour to crack that one open, Lewis said. And it’s worth the effort: “Debunking a viral hoax can itself go viral.”

There was a lot of debate around new funding models, including those represented on the panel (a whole different subject for another day) and a loose consensus that there was still probably room for a mixed digital economy.

But there was another old saying that came to mind in that City University auditorium - packed as it was with a healthy mix of fresh-faced journalism undergrads and research students and some seasoned hacks (including the respected editors of The Conversation who happen to operate from a rooftop berth at the university). It was the one about ‘a week being a long time in’… politics, usually.

BuzzFeed In digital media, a week, a month, and undeniably a year, can be an age. It’s just 12 months since Lewis launched his website in the UK but I bet there wasn’t a soul in that lecture theatre who could remember a world without BuzzFeed. (I personally realised the world had changed when I didn’t blink at BuzzFeed’s brand new political editor Jim Waterson being asked on to BBC Radio 5 live’s Pienaar’s Politics the other Sunday morning to comment alongside the programme’s mainstream pundits.)

Lewis had a vivid example to quote on this, about the unstoppable march of citizen journalism. It’s almost exactly five years since the dramatic plane landing in the Hudson River when a member of the public took and posted that single iconic first picture that went around the world.

“ONE picture, taken in that moment. Now, we’d be drowning in images,” he said. Couldn’t be clearer.

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