Hello. Here's an update on the recent changes in access to the UK and international front pages of the website which have been the subject of several previous posts (10 June, 15 June and 19 June) and lots of comments and queries.
There are two main things to say:
First, the project team has gone through your feedback over the past week and given replies to specific queries, which are further down this post. They have also compiled a Help page of FAQs which will cover many of the questions you've asked and pull all the answers together in one place.
Read more and comment at The Editors blog at BBC News.
Steve Herrmann is editor, BBC News website
It probably won't have escaped your notice that last weekend saw one of the world's biggest music festivals and that the BBC broadcast extensive coverage on TV, radio and red button. In case you weren't aware, we also have loads of performance video, wonderful photographs and more online at the Glastonbury website - if you hurry, you still have the rest of this weekend to watch the performances!
The man responsible for the Herculean feat of ensuring all of this content was brought together with the minimum delay is Tim Clarke, Senior Content Producer for major music festivals. Tim has written a behind-the-scenes look at how that was accomplished for the BBC Music Blog. You can read his post here.
Matthew Shorter is Interactive Editor, Music, BBC Audio & Music Interactive
Hello Everyone,
I'm glad that on the whole you seem to be enjoying our Wimbledon coverage. Yes, there have been a few technical glitches, all of which are picked up and addressed, but I hope you recognise that it is a pretty complex technical operation, especially since we are combining BBC coverage of the tournament on BBC One and BBC Two in order to bring you as much of the action as we can through the day.
This is the first year that we've taken this approach (and indeed had the infrastructure around the ground to bring all the action to you in HD) - I believe that it does allow us to offer you sight of more matches, and we'll build from the experience this year to try to ensure that it is even more seamless next year.
I know that many of you are frequently frustrated about the programmes not in HD. Along with the sports events we don't currently screen, you often raise Top Gear as a show you believe would benefit from being in HD.
I wanted to ask you:
What it is about Top Gear that means you really want to watch it in HD?
What are the qualities which you identify as particularly suitable for HD?
Can you let me know - ideally in one short sentence - either through comments here or by emailing me at danielle.nagler@bbc.co.uk? I want to understand what you see in SD shows that you believe gives them added value in HD, not least because it is really helpful in evaluating new HD programme opportunities that cross my desk.
Thanks as always for your input, and enjoy the last couple of days of tennis.
Danielle Nagler is Head of HD, BBC Vision
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