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Reading Festival articlesYou are in: Berkshire > Entertainment > Reading Festival 2007 > Reading Festival articles > Colin Murray on unsigned bands ![]() BBC Radio One's Colin Murray Colin Murray on unsigned bandsBBC Berkshire caught up with Radio One's Colin Murray at the Reading Festival launch party and ended up chatting to him about unsigned bands. Read or listen to the interview and then have your say below the article. When Linda Serck and Susanne Courtney chatted to Radio One's Colin Murray at the Reading Festival launch party, little did they know they'd end up talking extensively about the unsigned band scene in Reading and beyond. Have your say below if you'd like to comment on the interview. Read excerpts from the interview below or listen to the full interview by clicking on the audiolink: Audio and Video links on this page require Realplayer
About Myspace:"I don't think that Myspace means that unsigned bands are more popular, I completely disagree, I mean it's easier to listen to them but the fact is that 95 per cent of people at the very very least do not want to listen to unsigned music." But in Reading there's been a massive explosion of unsigned bands in Reading, sometimes more people come to see an unsigned band than they do a signed band."A lot of that depends on how many people are in the band and how many people they know, but live scenes in towns they tend to go in cycles...who are the unsigned bands then from your area?" ![]() Rebus (c) Will Gibson Well there's one band who have just signed to V2 records called My Luminaries, they've been doing the Reading scene for a couple of years, there is The Race as well...Pure Reason Revolution...Rebus...Six Nation State."Rebus are named after the detective and Ian Rankin novels, did you ever read those they're very good...What's good about those bands is that only one of those starts with 'the' - I've started to rule out any band that starts with 'the' these days cos they're always rubbish..." "I think unsigned music is unsigned music. It's funny cos when bands say to me about...building a local following - I don't think A&R people look for that, they sign people who play in bars to two people. Playing live locally is only good if the guy that runs the bar give you at least two monitors so you can hear yourself and that you've got the songs to play live. It doesn't matter if 400 of your mates scream about how brilliant you are if you're not good - I think it's a balance of writing songs and bettering yourself. "I used to work for an independent label in Belfast, we did reindeer-section records which was the Snow Patrol, Arab Strap, Mogwai thing...and there was bands we would work with with loads of talent but as soon as you make them apply themselves and write songs they just get really scared of the idea of actually being signed..." But everyone has to start somewhere and we've interviewed signed bands to ask them 'what's your advice' and they say 'lots of gigging, no matter where it is just to get the experience and to get your performance up to scratch' so I think an unsigned band scene is important and it's important for a town to support that."Thing is, what's good at the moment is that guitar music selling records so you're more likely to get a beer or a clothing label to throw in money... "If you send your demos out and it's good then it will get played...it will. There's no such thing as an unsigned band who are brilliant - the brilliant ones get signed." Read excerpts from the Colin Murray interview or listen to the full interview here: Audio and Video links on this page require Realplayer last updated: 29/08/07 Have Your SayDo you agree with what Colin Murray says? Have your say here:
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