 |
Have Your Say - The Medieval Season |
What do you think of BBC Four's Medieval season? Send us your thoughts using the form on the right and we will publish a selection of comments below.
Christina: A Medieval Life
Good stuff, especially as I live in the neighbourhood. As a tiny detail, the road through Codicote goes from Hitchin to Welwyn, not St Albans. How nice it would be to see a factual programme just once in a while without the cliché of artificially speeded-up images.
Michael Healy, Harpenden, UK
I expect a Michael Wood programme to be good: this one was excellent. Impeccable, detailed research, beautifully made, great music. Everything I pay my licence fee for. More factual programming of this high quality please!
Richard Elen, Huntingdon
Wonderful. Well done everyone involved for transporting us back in time for an hour. More please. Who was the actress reading the quotations?
Paul James, Exmouth
Christina: A Medieval Life gave a fascinating insight into the life of an ordinary woman in the Middle Ages. I really enjoyed this programme and all of the medieval season has been interesting and has made me want to find out more about the period.
Beverley Howard, High Wycombe
You know that anything by Michael Woods will be of the highest quality. Christina: A Medieval Life was no exception. Congratulations to all involved in the programme.
John Evans, Newtown, Powys
Christina, with Michael Woods - Nothing short of superb! Everything a history programme should be, everything TV should be! Intelligent, humane, warm, informative, history brought to life with passion. Both my husband and I were lost in a completely real, living, medieval world, made real by Michael Woods. Also congratulations to the researcher for finding and following the threads of the story so brilliantly. Well done everybody!
On a general level, also congratulations BBC on the whole medieval season, it has been wonderful, more please!
C Jaques, Aberystwyth, Wales
Excellent programme not dumbed down as most history offerings seem to be. Michael Wood has made a life live again with such clarity. Please can we have far more programmes like this?
Julia Burley, Ewhurst, Surrey
Christina: A Medieval Life Homepage
Clarissa and the King's Cookbook
Unbelievable! I rarely watch TV but, by George, I am glad I did! Fantastic and informative. I re-enact 17th century, so these recipies are familiar but presented so well. I am having the poached pears this evening! Lovely!
Clarice Morley
Clarissa and the King's cookbook; what an excellent programme from the medieval season. Please, please, please print the recipes online, like many others I really want to try the duck stuffed with grapes and garlic, etc.
Paul Rogers, London
Having just seen Shakespeare's Richard II in the RSC production at the Roundhouse, Clarissa and the King's Cookbook showed another, totally unexpected side of the King.
It is also fascinating to learn how, even in those days, imports from countries far away were quite normal, at least for the aristocracy. Not at all the primitive circumstances one incorrectly might have expected.
The food shown in the programme was splendid and clearly would grace any table today.
A thoroughly fascinating and salivating programme.
Stephen Felce, Enfield, UK
My mouth is watering after watching Clarissa and the King's Cookbook. I want to cook that goose stuffed with grapes, garlic, sage etc and the pear in wine and honey. Any chance of a recipe? The Medieval Season is brilliant. More please.
David McQueen, Westwood
Clarissa and the King's Cookbook Homepage
Heist
I thoroughly enjoyed this programme, it was by chance that I saw it when I was channel flicking. It was cleverly done with a modern day twist, interesting, informative and memorable. I had endless nightmares after and I am in my 20s! I will certainly be tuning into this channel in future.
N Patel
I enjoyed the pacey, modern style, of presenting a 13th century drama but authenticity sort of went out of the window when Kris Marshall invited the monks to raise their goblets in a 'toast' to St Helen. Toasts didn't happen till the 17th century.
Terry Doyle, Birmingham
Heist Homepage
A History of Britain
This programme was fabulous - a real insight into the many medieval kings. I had only seen the conquest part previous to this, due to watching it in my history lesson, but after seeing last night's as well, I'm sure I will be hooked! Simon Schama is a delight to watch and listen to, and as I am doing an exam on this subject I feel it will help me deeply; I have already used one of Schama's quotes in my coursework. Thank you BBC Four for putting such great programmes on TV. My nights are now enjoyable.
Sarah Green, Lancaster
How to Build a Cathedral
Absolutely 1st class - as ever for BBC. Subject fascinating, photography brilliant, presentation - just right. Only some of the music jarred - could we just have silence sometimes?
Paul A Bristow, Kendal
I've just finished watching How to Build a Cathedral on the BBC iPlayer. What a great way to spend an hour! I loved the programme and all the lovely long shots of both the interiors and exteriors. I would agree however with the comments about the lack of captions. I've also just *tried* to watch Abroad Again in Britain and stopped after about 15 minutes. I find the attitude of the 'presenter' unbearable and couldn't see what most of what he was saying had to do with the cathedral. I won't even try to watch any more of this series.
Danielle Lloyd, Bristol, UK
We found this fascinating and beautiful, lots of new information, interestingly presented, and for once not spoilt by gimmicky camerawork.
Diana and Don Wilson, Staines, England
Many thanks for producing a most interesting and informative programme on how the medieval masons were able to build such wonderful buildings. The presenter was excellent giving us enough technical details to enable an understanding of how the cathedral design was calculated. More of this type of programme please.
Anthony Richardson, Sheffield
What an excellent, instructional, informative programme. More please, and longer in duration. Thank you for an hour of pleasure.
Mr N A Viles, Filey, UK
This was an excellent programme, expertly presented by Jon Cannon and with some superb camerawork. I had a splendid virtual tour of the finest cathedrals in the UK. More would be welcomed and a repeat too for a change!
Gareth Morris, Neath, South Wales
This was a good programme, but the title was misleading. There was not much about "How to Build...". It was more about "What do British Cathedrals Look Like?". I have been asking myself the question how medieval people built these grand cathedrals. I was disappointed that I have not learned much from this programme on the matter.
Jie Li, Cambridge
This programme, together with the showing of The Hunchback of Notre Dame immediately afterwards (on Monday night) made for an excellent evening. Jon Cannon's presentation was agreeably subdued and the photography clear and un-gimmicky. The Hunchback was a better copy than I've seen before and, for once, BBC Four had decided not to ruin the film with its distracting logo on screen. What a shame, then, that the preceding programme wasn't shown properly. The logo visually interfered with the aforementioned excellent photography and as to the music credits mentioned elsewhere - we can't know if they even existed because BBC Four decided to squash the end credits to illegibility.
Jess Abbo, London
The programme was superbly photographed but spectacularly failed to demonstrate the medieval circle geometry language that exquisitely describes how these buildings were designed and detailed. Please contact me direct for the details of the expert in this field, which would make a complete and fascinating programme in itself. See also the CarpentersFellowship.co.uk website for further clues.
Patrick Stow, Axminster, Devon
A wonderful programme and inspiring music, but why-oh-why does the music have to drown out the commentary? Tony Douglas, Arundel, West Sussex
What a wonderful programme. Images so interesting. Material so good.
A serious, but lively, treatment of something extraordinary that we rather take for granted.
David Sutcliffe, Uckfield
'How to Build a Cathedral' was an excellent programme. Fascinating insights into how the stone masons worked (and still do). The technique of 'making things up as you go along', which seemed to be one feature of responses to some of the building disasters, was a revelation. (Never works for me when I do it, though!) The musical soundtrack was great, but I could not find any credits for the music at the programme end or on the BBC website. Does anyone have any knowledge of the source of the music?
Roger Perman, Glasgow
Interesting and wonderful photography, but frustrating as well: we jumped from one building to another and never knew where we were … simple captions would have kept us informed. Some more diagrams to show the construction methods would have helped too - it was all a bit vague. As for the presenter's (who is he?) French pronunciation...bloody awful!
Jamie Newall, London
In Search of Medieval Britain
This programme is disappointing. How much did Renault pay for all those car shots? If I wanted that I'd watch Top Gear (which I do). The Nicholas Crane 'Map Man' episode on the Gough map was far more informative and in a much better style. I'm 26, not a history buff, but have a casual interest. However, these attempts to make history trendy just grate - I'd rather go down the pub.
SS Collins, St Ippolyts, Herts
Congratulations to BBC Four on a most enjoyable and well-written programme. Granted, it's not the most erudite study on Britain in the Middle Ages - but that's not what is needed here. It's a fascinating mixture of stories and places, well put together, admittedly in a very modern style. Dr Bovey is an engaging and enthusiastic host, I hope we see more of her in the future in similar programming.
David Sharp, South Yorkshire
The problem I have with In Search of Medieval Britain is that the fascinating Gough Map is just used as an excuse (and quickly forgotten) for a bit of vague medieval tourism. It wastes the talent of Alixe Bovey: a lot of the subjects (Welsh castles most notably) have been covered by others quite recently. (Or, more likely, the repeats have been on recently.) This is the trouble about being a viewer: we see all the output, whereas programme makers are oblivious that it's all getting a bit stale.
Andrew Goldie, London
This programme contained a good balance of information and ideas presented in an interesting way. It linked the various sites with the Gough map and related past to present visually which, to use a cliche, brought the history alive. Focussing on the intriguing Canterbury carvings rather than the well-known Becket story certainly made me want to visit the cathedral again. And there were other original touches, such as the story of King John and Rochester Castle tower and the smoking boar's head banquet. Altogether a well constructed and enjoyable programme from which I learnt a lot.
Ann Blackwall, Lincoln
In search of Medieval Britain is unwatchable.
The style of presentation has been all celeb'd up and the camera direction is distracting in the extreme. In fact it's sexist too as there is some kind of obsession with stalking Dr Bovey like the content of the programme was less important that flirting with close ups of her and gloopy 360 degree shots pawing around her like they are trying to stalk her. Did she want this kind of adulation instead of us being allowed to see what architecture and other detail she was trying to explain?
We seem to be getting a fly on the wall following her in the car breathing down her neck and none of this has any relevance to the material she has researched so thoroughly and well.
It's a total sham.
Stylistic arty nonsense does not belong in a programme like this. I won't be watching any more. There are much better documentaries around and directors who do it better than souped-up reality TV stylized junk.
Mr J Prior, Paignton Devon
It's great that the BBC is having a medieval season, but this was quite a confusing show to open things up with. Other than the fact that all the places visited by Dr Bovey were on the Gough map (or weren't on the map in at least one case) there seemed to be little to link the vignettes together. The medieval period is both a vast one and an unfamiliar one to much of the audience, so to have any hope of making any sense of it in 30 mins there needed to be a clear angle taken; cherry picking a handful of topics from different centuries without much thematic coherence was confusing. If Dr Bovey had more closely integrated the vignettes with the Gough map the show might have held together better, but as it was it felt like nothing more than a smattering of comments that didn't add up to anything significant.
Nick, London
I thoroughly enjoyed this programme and congratulate all those involved in making it. The choice of the Gough Map as a means of exploring Medieval Britain was innovative and raised some interesting questions. Having been keenly interested in this period for many years, I am pleased to see the increase in the number of programmes on this topic designed to reach viewers who have an interest in history, and place, but usually were taught very little about it in school. Dr Bovey's presentation was clear, unhurried and concise. The text was a carefully considered balance between fundamental facts and entertaining asides. The photography, particularly the atmospheric Dunstanburgh sequence was a pleasure.
I notice that one of the contributors to this site mentions Terry Jones. This programme seems to me to follow Terry's style in the book of the BBC series "Medieval Lives", which presented the essential issues clearly, and added humour where it was appropriate. I strongly endorse appealing to a wider audience in this way. My particular interest is the development of the law during this period and Terry's explanation of this entangled subject is the best I have read.
R Miles, Birmingham
A great start to the series and I'll definitely be tuning in for more. This wasn't 'shallow' as a previous post claims - I learned lots and it's really refreshing to see Britain through new eyes. Dr Bovey is a welcome change from puffed up middle aged men telling us about history and she articulates the subject in a clear and authoritative way. This is what BBC Four should be doing.
J James, London
Oh dear! Having just listened to this week's In Our Time on the Norman Yoke the BBC can obviously do intelligent programming on this subject, but Dr Bovey's offering is extremely disappointing. Irritating camera work and a poor script that treats some rich opportunities in such a shallow manner, are a let down - even Schama is preferable to this. Hopefully the rest of the season will improve.
Tim Jones, Cornwall
I just loved the show and look forward to the next one. The presenter showed a great knowledge with an easy presentation style, the road trip using such an old map is a great hook to hang the programme around. The trivial facts like the weight on Mons Megs cannon ball or how butchers were the people leading the growth of towns were worth watching the program for. Just loved the beautiful shots of the castles.
Alistair Norwood, Whitehaven Cumbria
Am I the only one to have appreciated this programme?
Dr Bovey gave a 'light' introduction to the forthcoming series at a time slot suitable for younger viewers. The so called 'ineffectual background music' I for one would like see a soundtrack listing. To have rolled out the likes of Medieval Babes would have only brought cries of 'what a cliché'.
Alan M, UK
I really enjoyed this programme, really had a nice feel to it and wasn't all hyped up with re-enactments and got down to the Information and what we see today. Reminded me the The History of Britain - great show, great presenter.
Adam Cleverley, Devizes
Excellent factual and communication skills on the part of Dr Alixe Bovey. Thank you. Looking forward to the rest of the series.
Malcolm Brookes, Hereford, UK
What a bland production, straight from the manual of homogenous programme-making. We got the obligatory shots of the presenter in a car addressing the passenger-seat camera, lots of lovely scenery, terrible music, fake battle noises, jagged pop-video editing of the architecture, and the usual superfluous interviews revealing nothing which the presenter herself couldn't easily impart. It really doesn't add authenticity to have someone from English Heritage there when the presenter is supposedly an expert. Oh, and the underwear story. Very good. How many times can you say 'pants' in a half-hour programme? Must be a record. Maybe it was done for a bet.
I'm just a bit fed up with this cosy "let's make it unchallenging" approach to factual programmes. Do you not think that knowledgeable, intelligent people are watching? ... Some people enjoy being challenged, taught things, even blinded by science or knowledge.
Incidentally, the trails for Medieval Britain are superb: if only the content were as professional as the style.
Drew, UK
From the first episode tonight (10 April), this would seem to be another cheap, whimsical, 'so-called' history/documentary series.
About 2/3 of the shots lovingly focussed on yet another unnecessary presenter, whilst the rest were split between endless background variations of the same locality, and a tyro cameraman amusing himself with irrelevant jump-cuts, zooms and tilts.
BBC Four has done well in bringing music back to the BBC in the way that BBC Two used to do it, but let us have some serious history, please. This stuff belongs on the dumbed-down channels for TV zappers.
Even Terry Jones had a better concept of the Middle Ages and how to present it.
M. Trevis
Interesting programme, but pointless, ineffectual background music when there is such a wealth of contemporary music you could have used. And it was crying out for some 'lewd songs' when they were specifically mentioned in Durham cathedral. A wasted opportunity.
Douglas Cook, Cockermouth
What a disaster of a programme. What might have been both enjoyable and informative is ruined by the camera work with its endless panning and, when Dr Bovey is driving, endless flashes of moving scenery that in no way informs but certainly distracts.
Does the producer think my span of attention so short that without such a mindlessly changing background my attention cannot he held for half an hour? That sort of assumption might explain why, instead of being told that Mons Meg fired a 550lb ball I was informed that Mons Meg fired a whopping 550 lb ball; presumably the viewers' grasp of numbers is assumed to be so limited that he/she could not otherwise grasp that a 550lb projectile is rather heavy.
Take it off! Make the programmes properly assuming an audience with an average IQ at least approaching three digits and you could have a worthwhile series.
Richard West, Bristol
Inside the Medieval Mind
I must congratulate the BBC on running a medieval season. However I found this particular programme, boring and so marred by self-consciously clever camerawork that I turned off. Please can we have a seriously considered season with well-crafted, well-shot, knowledgable, in-depth programmes, not one which panders to the belief that all BBC Four viewers are ignorant or that that they are interested in flashy imaging.
Peter Dzwig, Guildford
I see that other viewers have been irritated by the restless camerawork and the intrusive and literal-minded sound. I got very tired of the clips of countryside, the blowing clouds and the whirling flames. Every point of the presenter's is underlined with a thunder-machine. Any mention of a dog produces a howl. Rotating pictures of cathedral roofs are always accompanied by snippets of plainsong. I share Claire Dane´s reservations about the over-simplified thesis, but for me this series is an example of an interesting and thought-provoking magazine compendium spoilt by self-indulgent and unimaginative production.
Martin Axford, Bridge of Weir, Scotland
As a PhD student of medieval literature, I was eager to watch Inside the Medieval Mind and very disappointed to find that the approach to medieval literature naive and out-dated. The presenter completely missed the modern understanding of Chrétien de Troyes and Andreas Capellanus as ironic, and took the idea that Marie de Champagne held a court of love seriously. Recent scholarship holds that these courts of love never existed. This is somewhat typical of a historical approach without any knowledge of how to approach literature. It would have been better to consult with a literature specialist.
Claire Dane, Woking, Surrey
Inside the Medieval Mind, I found a thoroughly enjoyable programme and of a refreshingly high standard in terms of content. The presenter made good use of primary sources, visual and textual. So I can't understand the accusation of generalisation and dumbing down from other reviewers. I found it very informative for just one hour's viewing. One thing I did find irritating in the first half was the gimmicky camerawork.
Anne, Tunbridge Wells
Potentially very interesting commentary by Professor Bartlett, but was completely marred and rendered unwatchable by fractious, gratuitously over-indulgent camerawork and chaotic production. Had to turn off as visual effect was headache inducing. Why so many subliminal references to drugs and visual hallucinogenic effects?
Diana Wallace, Near Usk, Wales
Many congratulations on your first programme of 'In Search of the Medieval Mind', which sets a standard for history programmes that will be hard to beat. I cannot understand Dr Shepherd's remarks about 'appallingly delivered generalisations'; we were treated to a large number of primary sources, many of which will have been unfamiliar. The way in which Professor Bartlett used the bestiary without suggesting that medieval writers were 'simple folk who lived in the past' was exemplary, and any programme which manages to convey why the rediscovery of Aristotle was important outside the medieval university, and to restore Roger Bacon to his proper place in British history, has done extremely well. Medievalists will long be grateful.
David Ganz, London
Unwatchable. It looked like it was trying to be one of those stupid 'in search of ghosts' and 'the truth about the headless horseman' programmes, with lots of supposedly atmospheric shots of graveyards and blood-red sunsets. Clichés like this are bor-ring! What a waste of a potentially fascinating programme. Maybe it appealed to some 13-year-olds, but I doubt it. Even I would prefer to play a computer game, and I hate them.
Peter, London
Very disappointing. Had promise to be a very interesting programme. However, it was full of common generalisations and made me wonder if they had done any research at all! One example: it was repeatedly asserted that medieval scholars believed in a world created in seven days, which is just nonsense. Also, the idea that they had never heard of Greek philosophy and based everything on the Bible is ridiculous. They knew Plato perfectly well: it was the discovery of Aristotle that changed things.
James Crocker, Cambridge
A disappointing mush of hackneyed photography and appallingly delivered generalisations. I really looked forward to this programme, which promised so much, and yet I was deeply disturbed (really) by the superficial and (yes) dumbed-down way that it was delivered. V poor is the best I could say about it. Although it's unlikely, if you want a more detailed critique please feel free to contact me.
Dr David Shepherd, Hebden Bridge
I'm finding these programmes most interesting, but once again I have been deeply distressed by seeing a presenter handling the most important historical documents - without gloves! It isn't only BBC Four - One and Two have also shown people handling irreplaceable books and rolls, letting the natural oils of their skin get into the paper or vellum. Surely, whatever individual libraries say, it would be good if the BBC had a blanket rule that gloves should be used. We cannot risk the damage this kind of behaviour can cause.
Susan Frances Edwards, Whitehaven Cumbria
Inside the Medieval Mind Homepage
The Saint and the Hanged Man
Appreciate the fun someone had with the "Medieval" Hendrix theme for this event, but it seems to have set an unfortunate tone for the programming. This was dire! Or was I not getting the post-modern irony in the script?
David Artes, Stourbridge, W Mids
I was so looking forward to all the medieval programmes, but thought I had strayed into schools for 7-9 years. Dreadful.
Chris Bletsoe, Castle Cary Somerset
Surely BBC Four's greatest strength is its ability to treat its audience with respect. This was a fascinating story - it didn't need the feeble animation, clichéd camerawork and irritating music. Please have the courage to assume your viewers have an attention span greater than a goldfish.
Nick, North Yorkshire
I tried to watch this to the end, but gave up. Intrusive and irrelevant music, choppy editing, juvenile cartoon sequences, gruesome reconstructions, and about as little straight history as the producers thought we poor viewers could take in. And on BBC Four, too!
Alan Quicke, Huddersfield
The Saint and the Hanged Man Homepage
Stephen Fry and the Gutenberg Press
A common theme running through Have Your Say is programmes made for people with more than one brain cell spoiled by unnecessary and intrusive background music and visual trickery. Why doesn’t anyone at the BBC ever listen to what people say?
In Stephen Fry and the Gutenberg Press yet again we had an interesting and informative programme marred by pointless music. I don’t understand what is going on. The filming is complete, the editing finished and presumably somebody decides that the programme now needs background music. Why? How can this possibly enhance the programme? If you are not confident that the film is strong enough to stand up without music, than it’s a pretty poor effort.
I can see that music is an essential part of drama, to enhance plot tensions, but it is never, repeat never, necessary in factual programmes (with the honourable exception of Simon Russell Beale’s series on Sacred Music).
Richard Wakefield, Sheffield, England
The estimable Mr Fry annoyed my pants off throughout this very informative programme by referring to his subject as Gu'enberg. If Mr Fry is not to set an example to us all as regards correct pronunciation, then we are doomed!
Keith Alexander, Surbiton
When I was a student in the 70s at the London College of Printing I'm sure they told us the Chinese invented moveable type - Stephen was strangely silent on this!
Paul Stringer, Oakwood, Enfield
Thanks to Stephen Fry and colleagues for a witty and informative programme. More thanks to BBC Four for their own humorous twist on the story of the man who, with the invention of movable type brought the printed word available for all to read. Squashing the closing credits into a tiny box to make them completely illegible was very funny. I'm sure Johannes Gutenberg would be highly amused.
Jess Abbo, London
Congratulations on the programme on the Gutenberg Press (9pm last night). It was inspirational. I loved the practical approach in terms of the attempt to build an original Gutenberg press, not to mention Stephen Fry's efforts at making a single letter of a font, and creating a sheet of paper from scratch. It made viewing an original copy of the first Gutenberg Bible so much more meaningful. What an impact this invention had on the world! Excellent viewing. Can't wait for the programme on masons and the building of cathedrals. Well done BBC and all involved in this excellent project!
Mark McDermott, Kildare, Ireland
'Stephen Fry: the Gutenberg Press' was an interesting programme, and it's always a pleasure to watch Mr Fry.
But I was disappointed that it didn't even refer to, never mind examine at any level, the controversy over whether Gutenberg really was the inventor of moveable type and the printing press ... a somewhat critical question given the theme of the programme!
I was hoping for some real evidence that Gutenberg was developing the idea in advance of his partnership with Johann Fust. This is because Fust is alleged to have brought the technology from the Netherlands, from another printer with whom he was earlier associated who died in around 1440 - exactly when Gutenberg allegedly came up with the idea.
There are other historical references to printing - not necessarily of the quality achieved by Gutenberg - occurring in the Netherlands prior to 1450.
I'm sure the programme researchers must have discovered some of this, so I wonder why they were not raised. Some examination of these theories would have improved the programme.
I wonder if you would be kind enough to pass these comments on to the programme Producer. It would of course be wonderful to receive a reply from him as to why these issues were not included, but understand if that much would not be possible.
With thanks and congrats for the great work BBC Four is doing.
Best regards,
Stuart Coster, England
Lovely programme, as it helps us understand the internet revolution by knowing more about previous technology revolutions. New technology always emulates old, and a while ago I was fascinated to see in the Library of Congress the new Gutenberg bible alongside the hand crafted great bible of Mainz. The new almost exactly emulates the old, just as we do now (internet 'pages', sending 'files', etc). The script and page size did not need to be the same, but it was, exactly the same. Intriguingly, the monks had made the initial letter of every sentence red. Just to show those new-fangled printers, I thought. But Stephen Fry showed a printed bible with flashes of red all over it. Not printed surely? So added by hand later. Just to show those monks, perhaps? Were all those red flashes hand crafted?
Diana Laurillard, London
Stephen Fry and the Gutenberg Press Homepage
The Medieval Season - General
A brilliant series! Thank you BBC Four for providing me with a haven from the relentless and soulless reality TV that is churned out by every other channel. It's a sickening misconception that young people like me (25) only want to watch 'fashionable' reality pap. Anyway, enough rambling, I look forward to your next season!
Richard, Tamworth
Just shows what the BBC can do. A jewel amongst all the dross. An absolutely brilliant series, hopefully even more people will be able to appreciate it if it reaches even BBC Two. I don't live far from Ashwell so the Christina episode had even more resonance for me. All the presenters managed to make their contribution very real and make history actually come alive. Plus the one on How to Build a Cathedral was mind blowing too. Even for non religious people they are truly awe inspiring structures. I hope the BBC don't hide their light under a bushel with this series and that they go on to sell it all around the world, because it is truly world class and a lesson to others as to how to actually make proper television programmes.
Philip Byford, Bedford, UK
I've loved this season of programmes, in particular Inside the Medieval Mind and Christina. Thank you for it all though. This is the BBC at its very best, offering informative, intelligent programming. BBC four is my favourite channel. Keep up the great work.
Julie Wheeler, Kesgrave, Suffolk
The entire Medieval Season has been compulsive viewing - beautifully shot, wonderfully researched and presented, informative and bringing to life the Medieval period. This is the BBC at its best. More please.
Lesley-Anne Welch, London
I absolutely adore the Medieval Season. I catch every programme I possibly can - quite a feat, considering I have a three year old demanding my attention at all times!
Finally a collection of documentaries and programmes that manage to both educate and thrill, without being patronising or dull.
Will a collection be available on DVD in the future?
Truly brilliant!
Gita Kirkusu, Abbey Wood, London
The Medieval season has been stunning. Informative, entertaining and with such knowledgeable presenters, I've thoroughly enjoyed it. Maybe more seasons covering other time periods could be considered? Well done, some of the best programming I've seen in a very long time.
Melanie, Northampton
I'm a scholar of medieval literature, and I'm really enjoying the Medieval Season, especially How to Build a Cathedral and the series on the medieval mind. The programmes are well researched and lucid, as well as thought-provoking and entertaining, and a much neglected period of British history is being illuminated for a mainstream audience in an accessible and non-patronising way.
M Stansfield, Ipswich, UK
I've adored this season, as a lifelong fan of The Middle Ages, particularly Inside the Medieval Mind - but I've had to watch it all on BBC i-Player. I just wish that this calibre of programme was shown on prime-time BBC One to expose a larger audience to such delights. The Middle Ages one of the most a dramatic and fascintating periods of our history and one of the least utilised in film and television. In an age where history is often marginalised in the classroom or restricted to the most recent periods, the media have a great opportunity to fill in the gap. Please show these programmes again!
Rebecca Day, Bath
I have been very interested to follow the various programmes on the Middle Ages - most of which I have found fascinating. As someone who knows something about this period, I found Robert Bartlett's two programmes Inside the Medieval Mind spot on and very illuminating. I was glad to see a repeat of the music from the School of Notre Dame which was brilliantly presented. I also thoroughly enjoy Andrew Graham Dixon's presentations - whatever subject he addresses. It is good to have these cultural programmes when the rest of TV is a desert. One request - less intrusive music which continually interrupts and jarrs the beauty of what one is looking at. Other thoughts: I would like to see a series on Inside the Modern Mind. Is there anything in it and if so, what? Secondly, why is it that we have lost the ability to make anything beautiful?
Anne Baring
I'm enjoying Terry Jones' Crusades most of all. It's packed with information, insights and he expertly uses this difficult subject to explain the Middle Ages. And Terry Jones uses his wonderfully deft humour so sensitively. Without that I think I'd find the ghastliness of it all too horrible to watch. I am enjoying the series and am learning a lot but I do have some gripes.
I echo the complaint already made about the handling of books without gloves. It makes me cringe. To rub salt in the wound, what's the point in watching someone riffle through the pages. We can't see much of the object, all we see is someone showing off, I think.
I'm becoming aware of events/stories/images being repeated. This seems a pity when there's so much material left untouched. It strikes me that at least one thread in the series could well have been the impact on the lives of people, or families.
Margaret Schooling, Chéronnac, France
Medieval Season Homepage
BBC Four homepage
|
|
|
Have your say |
 |
|