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17 November 2009
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The Annunciation
1450-3
68.6 x 152.7cm
egg tempera on panel


In Fra Filippo Lippi's painting Mary is shown accepting the news that she will bear the Christ child. Mary's head is bowed in an attitude of humility and acceptance. Between the figure of Mary and the angel Gabriel is an urn full of lilies - the lily often appears in annunciation scenes as a symbol of Mary's purity.

Mary is painted sitting in an enclosed garden. The enclosed garden, known as a hortus conclusus, was in art a symbol of Mary's sealed womb and perpetual virginity. The hortus conclusus here is shown as a small Italian garden of the kind the artist was probably familiar with.


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The Annunciation

The Annunciation
Fra Filippo Lippi
National Gallery, London


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Your Perspective

July from Gloucestershire
This is my absolute favourite painting, go see the original! The angel's face is gorgeous and every detail is wonderful from the angels 'peacock' wings to the beautiful lilies. You have to look closely to see the delicate use of gold leaf from the dove to the Virgin's stomach.And what makes it even more interesting for me is that it was painted by a rather 'naughty' monk!

Aoife, Delft
The colours in this picture are amazing seeing as the picture is so old. It makes me think of how much joy Mary had and honour to carry Gods child.

Ursula, Lincolnshire
What struck me about the painting was the low level dividing wall between the Angel Gabriel and Mary. It makes me think of the separation between angels and humans or heaven and earth. Maybe the lilies positioned between them indicate that these flowers co-exist in both heaven and earth but they might also emphasise the purity of this encounter.



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