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17 July 2009
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37 Uses for a Dead Sheep (Image: The Pamir Kirghiz leader with two of his men)
  37 USES FOR A DEAD SHEEP
Ben Hopkins, 2005
Monday 11 December 2006 10pm-11.25pm
 
 

With the encouragement of director Ben Hopkins, the Pamir Kirghiz people of Central Asia use acting, cinema and storytelling to recreate key moments in their nomadic history.

 
 
BEN HOPKINS
Director Interview
"It is a record of collaboration"
  Ben Hopkins dressed as an Edwardian explorer on location during filming
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Critic's review of 37 Uses for a Dead Sheep

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Review of the documentary

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  Nick Fraser

Nick Fraser
Storyville Series Editor

 
 

Sobriety is the hallmark of anthropological film – and most contemporary efforts tend to chronicle the sad near-extinction of primitive peoples. Ben Hopkins has made a comedy out of the tribulations of the Pamir Kirghiz, a people that were only a century ago nomads in the midst of Afghanistan, but who have been obliged to move due to the successive disturbance of their territory.

In the early 1980s they were offered a momentous choice: they could either relocate to Alaska, as their American patrons suggested, or go to eastern Turkey. They chose the second destination.

Ben Hopkins has hit on the bright idea of encouraging them to chronicle their own past, contributing to the production design, costumes and film style of this film.

37 Uses for a Dead Sheep is eloquent, touching and funny. I particularly enjoyed the culinary account of Pamir Kirghiz life: yoghurt, it transpires, can be used for many dishes and is also an effective cure for those who are poisoned. Hopkins is a droll narrator with a very British style of understatement.

Mercifully, the film doesn’t have a bad ending. The young of the Pamir Kirghiz wish to move to Istanbul, which is understandable, and they do very well when they get there. The tribe’s village is no more deserted than a contemporary French one. This makes for a faint air of melancholy, easily held in check by the exuberance of the filmmaking.

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