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UNDER MILK WOOD
Andrew Sinclair, UK, 1971
Sunday 9 November 2003 9pm-10.30pm
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Under Milk Wood opens as a small village sleeps, and quietly, almost covertly, an omniscient narrator imparts the secrets of its residents. The film follows a typical day in their atypical lives. Writer Dylan Thomas's eye for the absurd captures wonderfully rich, memorable characters, such as the retired school master who dreams of slipping arsenic to his poisonous wife, and Captain Cat, the blind ex-mariner whose wisdom now serves as a kind of vision.
Yet the ordinariness of the residents, highlighted through their humour, hypocrisy and carnal desires, ensures that the village remains a credible place, albeit viewed in a state of heightened reality, as though the audience is learning of its lively secrets through 90 minutes of intimate and lyrical gossip.
This is largely divulged through passages recited by Richard Burton who starred as the 'first voice' for the play's debut when it was broadcast by BBC Radio in 1954, two months after Dylan Thomas' death. He reprised this central role for the film version, delivering a more strident performance darkened by a sneering contempt for the world which his character examines. His then-wife, Elizabeth Taylor, appears at her most beautiful and the 'Who's Who' of a cast also includes Peter O'Toole, Victor Spinetti and a youthful David Jason.
The true star of the film, however, remains its poetic, vibrant language. Director Andrew Sinclair wisely allows the visuals to operate subserviently to Thomas's words, complementing these with scenes veering from surreality to sentimental romance and broad comedy.
Dylan Thomas, idolised by Richard Burton and generally considered Wales's greatest poet, died while working on Under Milk Wood. Fifty years after he first wrote about the vivid villagers immortalised in his final play, Andrew Sinclair's sensitive and entertaining version stands as a fitting memorial to this remarkable talent.
Gavin Collinson
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