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THE LAST EMPEROR
Bernardo Bertolucci, Italy/Hong Kong/GB, 1987
Tuesday 3 February 2004 9pm-10.35pm
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Hollywood's legendary mogul, Cecil B DeMille would have approved of The Last Emperor. It represents an old-fashioned epic in every sense of the word – a massively mounted movie spanning over 50 years of upheaval, exquisitely filmed and employing almost 20,000 extras. With an intelligent screenplay matching its visual splendour, it generated a haul of Oscars in 1987, including Best Picture, Best Director and Best Cinematography, with Oliver Stone hailing the work, "a masterpiece – a fully
shaped historical epic".
Despite its grand scale the film's plot is essentially a simple one. It follows the life of Pu Yi, emperor of China at the age of three, obliged to effectively abdicate four years later and from childhood to dotage forced to act as a stooge and figurehead, a revered leader and confused icon.
The Last Emperor was filmed entirely on location in China, and claims the distinction of being the first feature length movie to contain scenes shot inside the Forbidden City, a 15th Century complex containing 9,999 rooms and covering 250 acres. Sometimes the remarkable settings threaten to steal the show, but John Lone convinces as Pu Yi, Peter O’Toole is engaging as his mentor and Joan Chen shines as his wife, particularly effective in scenes where she dangerously flirts with a Japanese lesbian.
The tale teams with politicians and pawns but is concerned ultimately with the history of China, and on a personal level, the
importance of real freedom as opposed to apparent wealth. Pu Yi spends swathes of his life involved in shady power-broking plots, but when tending plots of land as a gardener in his old age, he finds something akin to true happiness.
Veteran director Bernardo Bertolucci again proved that age cannot wither his command of the cinematic art-form, delivering a moving epic which can mesmerise with its grandeur whilst connecting with its audience on an everyman level, dealing with love, doubts, disappointments and dreams.
Gavin Collinson
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