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Set in writer-director's Mahamat-Saleh Haroun's homeland, Chad, Abouna is the story of two young brothers' search for their father.
The film opens with a scene of a man striding purposefully across a featureless desert. He stops, as if sensing the viewer, and briefly stares at the camera, before moving off again, enigmatically.
It quickly becomes apparent that the man has abandoned his family without warning. The film is about the consequences of this action on his two sons: 15-year-old Tahir (Ahidjo Mahamat Moussa) and eight-year-old Amine (Hamza Moctar Aguid). In a touching early scene, Amine is told by his mother that his father is "irresponsible". He looks the word up in a dictionary and discusses its meaning with his brother. Their interpretations of the ambiguous notion of responsibility, straddling accountability for actions and the parental role, go to the heart of the film.
As they search for their father the boys discover that he has not been seen at his workplace for more than two years. At an open-air cinema he seems to appear in the movie and again turns to the camera, this time to address the boys. The vision inspires them to steal the film reel and unspool it in search of the precious frames. They are caught, but their mother Achta (Zara Haroun) gets them off the hook with the police.
Sinking into depression, Achta finds herself unable to cope with the kids and sends them to a disciplinarian Koranic boarding school. Their ill-fated attempts to escape earn them a beating, and meanwhile Amine's asthma worsens. The only respite from suffering is provided by a deaf-mute girl (Mounira Khalil) who appears like a radiant mirage and becomes Tahir's lover.
Despite its tough and at times tragic subject matter Abouna maintains a relentlessly optimistic tone. Key dramatic incidents are captured with elliptical grace. The performances of the two young actors are natural and full of range and nuance. And their contrasting personalities - Tahir caring and philosophical, Amine wilful and impatient - come off poignantly. Complemented by a superb soundtrack by the Malian guitarist Ali Farka Touré, Abouna is lucid, understated and moving.
Josh Hillman
Africa Lives on the BBC Homepage
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