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THE MAN OF THE YEAR (O HOMEM DO ANO)
José Henrique Fonseca, Brazil, 2003
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South American director José Henrique Fonseca delivers a low-budget, high-body-count gangster flick for his debut feature. A tongue-in-cheek adaptation of Patrícia Melo's best-selling novel, O Matador, it stars top Brazilian actor Murilo Benício.
Benício plays Máiquel, an unemployed car salesman in the Rio de Janeiro suburbs. Fresh from a peroxide transformation at the hairdressers, Máiquel is greeted with bar room taunts over his new image. After shooting his drinking buddy in cold blood following the hair-related jibes, Máiquel is surprised to receive gifts from well-wishers lavishing praise on him for ridding them of such an evil of society.
Now assuming a new identity as a gun-crazed guardian angel, Máiquel reluctantly lands himself a deadly reputation and becomes employed as the local assassin for every crooked businessmen and cop with an anti-social axe to grind. Inevitably, there are romantic complications, including a complex love-triangle with the ex-girlfriend of his first victim.
Having begun his descent into lawlessness, Máiquel may hanker for a regular job, but he continuously faces the lure of a fast buck earned at the expense of another's life. The apparent message is clear - obtaining any form of success in this neon wilderness involves a devotion to crime and corruption.
None of this moralising should be taken too seriously. The Man of the Year could be classed more as a lighthearted paean to gun-toting cowboys transported from the traditional desert townships to the crime-drenched modern city. The film represents a confident and creative work that lends fresh impetus to Brazilian cinema's recent renaissance.
Clare Norton-Smith
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