The final part of the sequence 'The Progress of Human Knowledge and Culture' is its other long painting and Barry returns to the Greek subjects of the earlier pieces, as well as a culmination of the narrative of the sequence. It shows Elysium, the Greek afterlife reserved for the virtuous, and Barry has assembled across time a diverse cast of individuals who've earned a place in this heaven, including scientists, philosophers and legislators. Dominating the foreground is an angelic guard drawn from 'Paradise Lost', an archangel weighing something which is not seen, and another angel who is explaining something to a group of theologians. Directly above in the background, is Homer, holding Orpheus' lyre and surrounded by Shakespeare, Milton and Chaucer. Far right is Barry's dark depiction of Tartarus, the Greek hell.
Where to see this painting?
Royal Society of Arts
Not all paintings are on display. If you want to see a particular painting, please contact the collection
More on this painting
commissioned for the Society's Meeting Room, c.1777–1784