The best known version of this painting, in the Duke of Bedford's collection at Woburn, exhibited at Edinburgh in 1950, is thought to be of exceptional studio quality. The style of the Foundling Hospital's painting suggests a follower, probably working in Venice in the 1770s. It resembles in handling the hand of the painting 'Venice: The Upper Reaches of the Grand Canal', in the National Gallery. For Michael Levey's discussion of the attribution of the National Gallery painting, see his 'Eighteenth-Century Italian Schools', pp.36–37 (National Gallery, 1956).
Where to see this painting?
The Foundling Museum
40 Brunswick Square, London, Greater London, England, WC1N 1AZ
If you are planning a visit to see this painting, check with the collection first. Paintings can be moved at short notice.
More on this painting
presented to the Foundling Hospital by Lieteunant Colonel James C. Hyde, 1862
This page is best viewed in an up-to-date web browser with style sheets (CSS) enabled. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. Please consider upgrading your browser software or enabling style sheets (CSS) if you are able to do so.