Life Story: discovering new life on film
New animals, new behaviour and new filming techniques: series producer Rupert Barrington tells us about taking technology from drama into natural history, with BBC One's Life Story.
I made... Attenborough's Fabulous Frogs
What's it like working on a nature production with David Attenborough? Studio assistant Jessica Mitchell tells all.
Creating special effects for Doctor Who
How are models used in the making of Doctor Who? Miniature effects supervisor Mike Tucker explains.
How to be a natural history producer
Want to work on some of the planet's biggest nature programmes? Here are some tips from the BBC Natural History Unit.
Fixed rig productions
From the school to the chicken shop, fixed rig productions have given us unparalleled access to familiar worlds. We talk to the makers of two of the format’s biggest hit – Gogglebox and 24 Hours in A&E.
The art of filming in secret - four guests discuss what goes on behind the scenes of secret filming and the safeguards that need to be in place before filming even starts.
A talk with the producers behind the hit BBC Three documentary which tells the story of the ten year war in Afghanistan through the eyes of the soldiers who have been fighting in it.
Filming at heights
From the wilds of Burma to the jungle rooftops of Borneo: specialist camerawoman Justine Evans talks about the challenges of filming in the rainforest.