A Brit abroad: working on drama in the USA
What are the differences between working on an American and a UK TV production?
I made... The One Show
What does a shooting assistant producer do? Matt Wenham describes his varied and challenging role in making the top BBC show.
The Coroner: A masterclass in daytime drama
How can you make a worldwide hit drama on a BBC daytime budget? Hear from the team behind BBC One’s The Coroner
StrangeCast: Jonathan Strange and Mr Norrell
An interactive guide to the making of Jonathan Strange and Mr Norrell
Shark: meet producer Simon Blakeney
Bloodthirsty hunters or social and complex creatures? Natural History Unit producer Simon Blakeney talks to us about the making of the landmark series Shark.
Peaky Blinders: meet producer Jamie Glazebrook
Bringing Peaky Blinders to the screen took a combination of luck, flexibility and trust, as executive producer Jamie Glazebrook tells us in our latest podcast.
Fixed rig productions
From the school to the chicken shop, fixed rig productions have given us unparalleled access to familiar worlds. We talk to the makers of two of the format’s biggest hit – Gogglebox and 24 Hours in A&E.
Using user-generated content
What are the issues and opportunities for producers using user-generated content? We find out in this edition of the cop show.