File delivery demystified
TV professionals guide us through the shift to tapeless programme delivery
Delivering your TV programme as a file
How do you prepare a programme for delivery as a DPP-compliant file?
I made… Deadly 360
Bringing predators to life without drowning in a sea of archive rushes – the weird world of the archive researcher on children’s natural history programme Deadly 360. Amanda Kear tells us more.
Skills: tapeless workflow
John Watts offers advice on how The One Show Manchester team runs a smooth tapeless workflow.
Producing with file based formats - Jane Clancey and guests discuss tapeless production and what this cultural change means for programme makers.
Case study: grade
How do editors alter the colour of shots and create dramatic effects? Using an Andy Murray promo, editor Nial Brown reveals all.
Using music in your production
Inspiring, moving, or really irritating, music is a must for most programmes today. Why has it become so important and how do you make sure it enhances rather than ruins your production?
Jonno Field: senior editor
What does an editor do on constructed reality shows like TOWIE and The Apprentice? Find out from senior editor Jonno Field in our career quiz.