Advertisement

Dancehall with Robbo Ranx

On Air Now 22:00 – 01:00

Last updated: Monday 28 Jul 2008
1XTRA NEWS: THE REAL TALK OF THE STREETS
It's a London thing?
DJ Q
Is Bassline here to stay?
There are strong black music scenes across the UK and yet the big name acts like Dizzee, Estelle and Wiley all seem to emerge from London.
Bassline's challenged that by starting in Sheffield before building its own sound and identity across the North of England and beyond.

1Xtra's very own DJ Q takes us on a journey around the UK to ask if Bassline represents a revolution in homegrown black music.

Can it inspire more scenes to succeed without help from London DJs, clubs and promoters?

We're in Sheffield to find out how Bassline began and T2 and Gemma Fox explain how it's helped their careers.

We also hear from Strategy from Broke'n'£nglish in Manchester, K.Ners in Bristol and Cardiff's High Contrast on whether breaking through is harder for artists outside London.

Is Bassline here to stay? What's your favourite Bassline song? Where's the best place to hear original homegrown music? Is London really that important for up-and-coming artists? Which is better - Grime or Bassline?

***We are sorry but the 1Xtra comments system is temporarily out of use. If you post a comment there is a chance it may not be delivered or published***

NAS
NEW FAKE HYPE

iceman
I have to say both Bassline and Funky are big. I think the reason why Bassline will never really be big in London is because LDN is dominated by post codes. If the post code don't fit, then people instantly hate. Im definitely a Bassline fan. It reminds me of the old days with Garage and Grime (The days when N.A.S.T.Y Crew, PAYG, Boyz In The Hood and Rolledeep were lockin down everything.Grime is basically dead. The main reason for that seemed to be because of the whole LDN selfishness. A lot of people wanted to keep Grime as a London thing. No love etc was showed to anyone from outside LDN who wanted to get in the scene (artists, producers, singers, MCs), yet expected people from outside London to buy their music and fill their pockets. Grime is still hanging on, but I can't see it being bigger than Funky or Bassline.Funky is good. It's a music that girls can really get into and lets face it, girls make raves cah I sure as hell wouldn't go to a rave if I knew there'd be no females. Funky is dancing music, so it's easy to get into and you can just bubble along to it and just smile. But it can be a little samey and there aren’t enough new bangers coming out. You can listen to a mixtape from June and listen to a mixtape from October and a lot of the tunes played in June are still the biggest tunes 4-5 months later. That’s the only thing that stops me listening to Funky as much as i might like to.Grime was gritty, real and got straight to the point. For that reason raves always seemed to have a bit too much tension and this seemed to turn the girls off. Then the violence kinda kicked in, Grime got the bad reputation and has been tarnished as 'badbwoy' music ever since those So Solid days.Bassline is very similar to Grime. A lot of old Grime/Garage tunes have been remixed/re-hashed and there are a lot of MCs, DJs and producers from Grime who have crossed over.The thing with Grime was that it quickly evolved from a music based around beats to a type where MCin was the main thing and everyone wanted to do freestyles etc. This made or more of a Hip Hop style music than the rave scene genre it started out as.Bassline has the deep bass that Grime has, but it's managed to keep the essence of vocals and keep the females involved/interested on a large scale.Also the fact that it's been allowed to be embraced by the whole of the UK means that more people have been able to get involved.I think Bassline has a place alongside Funky. You can go to a Funky rave and you'll probably hear Bassline tracks and not even realise (and vice versa) which means that intergration is possible. This is where Grime fails. It's alienated itself as a LDN sound, so it's flawed from the start.I think sooner or later Bassline will start to creep into the lives of Londoners, but will probably never be fully embraced by their streets simply because it didn't originate in the capital.Bassline and Funky serve different purposes, but both are here to stay and will only get bigger. I can't say the same for Grime. The rave scene there is dead, meaning grass roots talent is stifled from day one.Bless



Your Name:
Have Your Say:
Your Email:
Your Telephone:
Disclaimer: The BBC will put up as many of your comments as possible but we cannot guarantee that all e-mails will be published. The BBC reserves the right to edit comments that are published.


Explore the BBC

This page is best viewed in an up-to-date web browser with style sheets (CSS) enabled. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. Please consider upgrading your browser software or enabling style sheets (CSS) if you are able to do so.